Word: cohn
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Dates: during 1970-1979
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...reason that the commission was so anxious to have new windows be designed correctly, according to Amy Cohn of the commission staff, is that "Massachusetts Hall is one of a handful of examples of 18th Century New England institutional architecture, besides being the oldest Harvard building." She said that Coolidge, Shepley, Bulfinch, and Abbot, architects had "taken great pains in the 1930s to see that the changes they made were done perfectly," and that "the commission was eager to see the same thing done...
...quite as good as Spencer Tracy would have been in the role of the New England lawyer who puts an end to the foolishness ("Senator, at long last, have you no shame?"), but Tracy reportedly wanted too much money for the part. Cameo performanced by Robert F. Kennedy, Roy Cohn, and G. David Schine (who grew up to be executive producer of The French Connection and make a zillion bucks) add sparkle to an otherwise lackluster cast. Channel...
...Welch is not quite as good as Spencer Tracy would have been in the role of the New England lawyer who puts an end to the foolishness ("Senator, at long last, have you no shame?"), but Tracy wanted too much money. Cameo performances by Robert F. Kennedy, Roy Cohn, and G. David Schine (who grew up to be executive producer of The French Connection and make a zillion bucks), add sparkle to an otherwise dull cast. Channel...
Looking more and more like a cross between Huckleberry Finn and Oliver Barrett III. Hooks Burr made himself right at home on the slippery stuff, having been a prep school hockey star in his day. Barbara Cohn, lecturer on Visual and Environmental Studies, leapt into Petkevich's arms as Helen Homans Gilbert, first woman overseer of the University, did a leg extend down on the ice and held her position--like a catatonic Cossack...
...FRENCH NEW WAVE lost its steam in the mid-sixties, when the experiments of the early part of the decade began to turn into repetition on the one hand and polemic on the other. Chabrol churned out Chabrols and Truffaut, Truffauts. Daniel Cohn-Bendit gave Godard politics. No one gave Resnais money. This same vacuum which so facilitated the ascension of Eric Rohmer seems likely to do similarly for Alain Tanner. But like Rohmer. Tanner at his moment of success is no fresh young talent. He is a middle-aged Swiss with a varied career behind him that includes apprenticeship...