Word: coixet
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Dates: during 2000-2009
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...point the love affair proceeds predictably - even including their breakup (he has, as you might expect, a commitment issue). She leaves him. He mourns perhaps excessively. She, astonishingly, returns to him some years later. And here both the Roth novel and Isabel Coixet's film (written by Nicholas Meyer) take a truly memorable turn. For she is gravely ill and living alone with the possibility of premature death. She wants Kepesh to take erotic photographs of her before the surgeon's knife destroys her beauty. Does she want more from him? If so, can he respond to her need...
...with his conviction that the result of this conflict can only be the terrible muddle that finally elbows aside the previously preoccupying sexual shambles. That's especially true of The Dying Animal, when mortality settles on the wrong person at the wrong time. There are things wrong with Coixet's movie. Ben Kingsley is, of course, a fine actor, but in this instance there seems to me something smug, held back, in his work. Roth's Kepesh, at least for a time, has more spritzing fun with his minor celebrity life than Kingsley's does. The latter seems insufficiently surprised...
Elegy Directed by Isabel Coixet; rated R; out now Professor has affair with lovely grad student: we've heard that one before. So had Philip Roth, whose novel The Dying Animal is acutely attuned to the dissonance of May-December love. This fine film has a touching performance by Penélope Cruz and a great one by Ben Kingsley. Cue the Oscar buzz...
...12th arrondisement. A man (Castellioto) waits in a cafe for his wife (Richardson); he is about to tell her he's leaving her for a younger woman (Watling). But the wife has news that's even more surprising. Isabel Coixet's fable is about the importance of the external signs of domestic attachment: "And by pretending he was in love with her, he fell in love with her." It's funny and tragic, a tightwire act of laughter and tears...
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