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Word: coke (lookup in dictionary) (lookup stats)
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...thing, Berry never stops moving. His hands are always agitated--gesticulating to make a point, grabbing a can of Coke...

Author: By Stephen E. Frank, | Title: LET THERE BE FOOD | 2/15/1992 | See Source »

...fact is, an original is an original. I was just as disappointed with chocolate Twinkies, which came out a few years and have since been discontinued; and when Coca-Cola tried New Coke...

Author: NO WRITER ATTRIBUTED | Title: Kosher, Schmosher. Try This Twinkie. | 2/1/1992 | See Source »

...says Times Square has lost its famous gaudy sparkle? At 11:53 p.m. on New Year's Eve, Coca-Cola flipped on the switch to launch its contribution to Broadway's born-again glitz: a $3 million, 55-ton billboard featuring a four- story Coke bottle made of fiber glass. A high-tech version of the Coke sign that has reigned in various Times Square locations for 75 years, the billboard contains a mile of neon tubing, 60 miles of optical fiber and more than 13,000 incandescent light bulbs. Controlled by a robotic animation system, the giant bottle pops...

Author: /time Magazine | Title: Advertising: Broadway's Big Bottleneck | 1/13/1992 | See Source »

Capitalism reaps according to how much democracy it sows; Have a Coke and a Smile. And the Gap's labeling is an insulting as the styles and sizes ever were, as "Relaxed Fit" and "Easy Fit" are only "relaxed" and "easy" relative to the body that wore the "Classic Fit" jeans all along. But sometimes the market works to the consumer's (and the culture's) advantage. Finally, in our "deindividualizing...boring and democratic" culture, we get the jeans we deserve. Courtney A. Williams...

Author: NO WRITER ATTRIBUTED | Title: Don't Harsh on Gap--Its Jeans "Fit My Big Ass" | 1/8/1992 | See Source »

...work was painstaking. Cagney was shorter than the modern blond actress with whom he is seen ordering a Diet Coke. So the editors blew up the image until his height matched that of his co-star. The Golden Age actors were carefully colorized frame by frame to match the hues of the fresh footage. In the stunning final product, Bogart wanders among the nightclub clientele, exchanging greetings with a patron probably not even born when Bogie died in 1957. Louis Armstrong blows away on his trumpet, sharing a knowing glance with Elton John...

Author: /time Magazine | Title: Marketing Ghosts in the Commercial | 12/23/1991 | See Source »

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