Word: colalucci
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Dates: during 2000-2009
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Hence the controversy that has risen over the past few months as the Vatican's head restorer, Gianluigi Colalucci, and his team on the scaffold move toward the cleaning of the most famous image in Western art, Michelangelo's Creation of Adam...
...there by Michelangelo himself, in a dark wash of black pigment in glue size, brushed on after the fresco was dry to give more density to the figures and atmosphere to the space. They think this wash is being "indiscriminately" swabbed off along with the dirt. Beck claims that Colalucci and his team, who have done nothing but study the Sistine for the past eight years, have still not studied it enough; and that the cleaning agent, AB-57, though used for cleaning fresco and stone since the early 1970s, is still insufficiently tested. The antis also decry...
...Michelangelo, who was always in competition with Leonardo, wanted to reaffirm the traditional buon fresco technique. The Sistine is that affirmation." True fresco did not include the use of glue sizing and dark washes a secco. "No other fresco painter applied such a glue," says Head Restorer Colalucci, "so why should Michelangelo have done so? He knew very well that the final result could not have lasted long. To suggest that he gave his fresco a glue sizing is an insult to his technical ability. A fresco artist studies colors and their relationships, and balances them correctly so that they...
...calcium compounds; on the Sistine frescoes it is used in a weak solution, in varying applications lasting at most three minutes. It is an efficient solvent but a bland reagent. The fear that the cleaning has taken off any of Michelangelo's a secco passages seems unfounded. According to Colalucci, these retouchings on dry plaster by his hand have all been identified. In restoration, each is isolated by a waterproof acrylic resin; the surrounding area is cleaned with AB-57; then the resin is taken off and the passage is cleaned with solvents that do not contain water...
...artworks were reassembled and reinstated in record time. This achievement made Basile a natural choice to direct the Scrovegni restorations. Like Giotto, who organized assistants into a production line preparing plaster layers, grinding colors and transferring sketches, Basile assembled his team. As well as Institute graduates, he recruited Gianluigi Colalucci, who was responsible for restoring the Vatican's Sistine Chapel, and Pinin Brambilla Barcilon, restoration overseer for Da Vinci's Last Supper...