Word: coleridgian
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Dates: during 1920-1929
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Different from all these writers, Ralph Manheim in "Ballade" captures a good deal of Coleridgian magic, and incidentally refreshes a form often too much like a metrical exercise in other hands, by a variation that gives it something of the fluent melody of terzarima. John Sherry Mangan, an enthusiastic an energetic experimenter, indicates something of the range of his work in two sharply contrasting poems: "Disoriented", sapphics in which a strictly classic treatment of form encloses a romantic elaboration and decoration of feeling; and "the Passing of Shaughnessy" which fuses the fantasy and conceit of pre-classical phrasing in English...
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