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Word: collaborationism (lookup in dictionary) (lookup stats)
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Much of the story of modern sculpture is bound up with welding and assembling images from sheet metal, rather than modeling in clay, casting in bronze or carving in wood; and this tradition of the open constructed form rather than solid mass arose from one small guitar that Picasso snipped...

Author: /time Magazine | Title: The Artist PABLO PICASSO | 6/8/1998 | See Source »

His "classical" mode, which he would revert to for decades to come, can also be seen as a gesture of independence. After his collaboration with Braque ended with his comment that "Braque is my wife"--words that were as disparaging to women as to Braque--Picasso remained a loner for...

Author: /time Magazine | Title: The Artist PABLO PICASSO | 6/8/1998 | See Source »

If nothing else, I had learned my first lesson in creative theater advertising, for "You will not fail to thrill to The Sound of Music" was the main quote outside London's Palace Theatre for many years to come. When the sign finally came down, Richard Rodgers and Oscar Hammerstein...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

Rodgers was always keen on breaking new ground. Many believe Pal Joey (1940), the story of the emcee of a sleazy nightclub, to be a landmark musical. With its unscrupulous leading character and bitingly realistic view of life, the show moved the musical-comedy format into more serious territory. But...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

After Hammerstein's death from cancer in 1960, Rodgers valiantly plowed on. He worked with Stephen Sondheim on a musical, Do I Hear a Waltz? An attempt at a collaboration with Alan Jay Lerner, lyricist of My Fair Lady, came to nothing. I can vouch for Alan's never having...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

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