Word: collaring
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Dates: during 1960-1969
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have realized that Boston, like most other northeastern cities and the economy in general, faces a steady decrease in blue-collar, low skill jobs and that government action is necessary...
Thousands of political opponents died in his secret police dungeons, mysterious "auto accidents" and "suicides." There were electric chairs for slow electrocution, another many-armed electrical device attached by tiny screws inserted into the skull, a rubber collar that could be tightened to sever a man's head, plus nail extractors, scissors for castration, leather-thonged whips and small rubber hammers. P.A. systems in the torture rooms carried every blood-curdling scream to other prisoners waiting their turn. If Trujillo favored variety, he also favored volume. One October night in 1937, he ordered his army to eliminate all Haitian...
...dramatic technique "Treason at West Point" shrivels somewhat when set beside the play that took second prize in the Anderson Award competition, "The Reprisal." Mark Bramhall, an Osbornian iconoclast, puts a reckless, sensuous man into the collar of a divinity student, then sticks both man and collar in one corner of a writhing triangle. The dialogue blazes with violent, staccato speeches as David, the protagonist, banters and bickers with his mistress and the good girl in the piece. Occasionally the sarcasm and the yelling get childishly out of hand, but as a whole the drama is exciting, exhausting, and superb...
Bramhall excels with dialogue, but he has a problem with his premise. Why the collar? Why is David a divinity student? At one point his mistress asks him, "Isn't that why I disgust you--because I keep dragging you down to earth . . . because I know you're anything but a saint?" Yet David seems firmly earthbound from the beginning, a man clearly cut out to rip the cloth rather than to wear it. By making him an aspirant for the pulpit, Bramhall turns David into a blunt tool for tedious bludgeoning of religion, superflous to plot and good taste...
Railroads ground to a halt at the height of the Holy week tourist influx - biggest since the war - as 185,000 workers walked out for 24 hours in protest against "clandestine" bonuses ($200 apiece) awarded to 2,800 white-collar types. Simultaneously, doctors in three of Italy's 30 medical unions struck, demanding higher wages and better working conditions in clinics. Then the opera went on strike, darkening stages just before performances of Strauss's Fledermaus in Rome, and Rossini's Moses at Milan's La Scala...