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Word: collaring (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...bowl. Then, just before dawn one day last week, the nightmare that Angelenos have well learned to dread happened again. The brush in the hills, ignited by power lines torn to the ground by whistling winds, exploded into flame. With incredible speed, fire raced through the white-collar suburbs of Los Angeles-into Glendale and Burbank, Eagle Rock, and Verdugo City and Pasadena...

Author: /time Magazine | Title: California: No End to Disaster | 3/27/1964 | See Source »

...towns are to serve as coun-termagnets to London, to draw businesses from the capital, as well as white-collar workers tired of ever-lengthening commuter travel between London and its "dormer" suburbs. The new communities are to be self-contained, with living, working and playing space close together and hence little need for commuting...

Author: /time Magazine | Title: Great Britain: Planned Migration | 3/27/1964 | See Source »

Then he would rise from the piano to perform his Monkish dance. It is always the same. His feet stir in a soft shuffle, spinning him slowly in small circles. His head rolls back until hat brim meets collar, while with both hands he twists his goatee into a sharp black scabbard. His eyes are hooded with an abstract sleepiness, his lips are pursed in a meditative O. His cultists may crowd the room, but when he moves among them, no one risks speaking: he is absorbed in a fragile trance, and his three sidemen play on while he dances...

Author: /time Magazine | Title: Jazz: The Loneliest Monk | 2/28/1964 | See Source »

...Riesman still has a big gripe with American life. He deplores the vapid joylessness and the comfy-cozy ways of suburbia, the white collar man, and the mass media. Unlike existentialists, however, Riesman refuses to believe that mass production per se brings on the magnified man; instead, like Marx, he thinks mass production has freed man for better things...

Author: By Grant M. Ujifusa, | Title: Riesman As Social Critic | 2/20/1964 | See Source »

...youth, an Italian boy entering a white-collar job, is no fragile Dedalus embarking upon a tragic bildungsroman; neither is he a dashing hero in a setting devoid of heroism. Domenico's passage into adulthood takes place without ceremony or bravado. He passes quietly, but not painlessly, self-consciously, but never cutely, into a world of hopeless vacuity. Throughout the movie Olmi shows him what he may become--a dulled commuter from lower middle-class suburbs, a paunchy clerk gazing through shop windows, an embittered office-worker yearning for a piddling promotion...

Author: By Jacob R. Brackman., | Title: The Sound of Trumpets | 2/6/1964 | See Source »

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