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...museum, in a sense, closes a circle begun 330 years ago. The house built by Aubert de Fontenay, royal collector of the salt tax, now contains a collection assembled by 20th century taxes. The artist would have relished the irony. Said the influential Le Monde: "One knows that Picasso is in his place in the noble building from the time of Louis XIV. He is home...

Author: /time Magazine | Title: Art: A Museum for Picasso's Picassos | 10/7/1985 | See Source »

Oral history has long been recognized as a legitimate and fertile form. But what about oral biography? Well, when it concerns Norman Mailer, the enduring enfant terrible, perpetual showman, seigneurial collector of wives and children, and protean writer, it amounts to a genre all by itself. Journalist Peter Manso sets out the lengthy musings of friends and enemies, editors and critics--almost anyone who has anything significant to say and some who do not--including Mailer's overprotective mother ("Running for mayor (of New York) was a mistake, and I told him, 'You don't understand all the spiteful things...

Author: /time Magazine | Title: Books: Summer Reading | 7/1/1985 | See Source »

...earlier word was "quality," whose utterance was meant to mark off a given artwork from the swarm of others and confirm the precision of a collector's taste. Interesting has the opposite effect. It suspends judgment, covers the rear, and defends the vacuum-cleaner habits of a cultural mass market without precedent in art history. It states, with a sort of coy defiance, that buying this, uh, thang may not be a mistake, even though its owner does not know what to say about it. It acknowledges that by the time thoughtful aesthetic judgment is passed -- a distant prospect, given...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

...Michelangelo drawings. Yet what counts is not their gross but, so to speak, their net: the core of old master drawings and prints assembled, over a lifetime of passionate connoisseurship, by Duke Albert of Saxe-Teschen (1738-1822). At a time when any crocodile can become a "major" collector by scrawling a digit and six zeroes on a check for a B+ Van Gogh, it is worth recalling what Albert and his wife Marie Christine achieved. Until they began collecting in 1773, under the tutelage of the Austrian ambassador to Venice, drawings and prints had been regarded mainly as curiosities...

Author: /time Magazine | Title: Art: Emblems of a Lost Tradition | 5/6/1985 | See Source »

Jacques Lipchitz: Sculptor and Collector: Albert and Vera List Visual Arts Center, 20 Arnes...

Author: NO WRITER ATTRIBUTED | Title: May 2-8, 1985 | 5/2/1985 | See Source »

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