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...compact and rewarding show makes clear, was in the act of drawing. By comparison with his preparatory drawings, Guercino's final paintings are quite often labored and stodgy. It is the drawings that contain his finest and most spontaneously registered perceptions, and fortunately many survive. George III, an avid collector, acquired nearly 350 of them, of which 60 are in the Drawing Center's show, and this can be only a fraction of the stream of sketches and preliminary studies, caricatures and genre scenes that flowed from Guercino's hand...

Author: /time Magazine | Title: The Vision of The Squinter | 6/29/1992 | See Source »

...collector Dominique de Menil...

Author: NO WRITER ATTRIBUTED | Title: Bok, Updike to Get Degrees | 6/4/1992 | See Source »

THREE WEEKS AGO, OUR ART DEPARTMENT COVER COORdinator, Linda Freeman, received a phone call from Maurice Skinazi, an international businessman and art collector. Mr. Skinazi suggested that if by any chance TIME was going to do a story on the Rio summit, we should consider using something painted by his friend, Brazilian painter Lia Mittarakis...

Author: /time Magazine | Title: From The Publisher: Jun. 1, 1992 | 6/1/1992 | See Source »

...President should support U.S. Circuit Judge Jon Newman's call for a law that would more easily permit the victims of police brutality to recover monetary damages. To ensure payment, Newman would have the Federal Government bring lawsuits directly against local governments. "A city pays when a garbage collector negligently causes a motor-vehicle accident," says Newman. "The city should similarly pay when one of its officers commits an act of police brutality." Newman would also eliminate the good-faith defense: "The reasonableness of ((one's)) belief in the lawfulness of his actions should not stand...

Author: /time Magazine | Title: What Can Be Done? | 5/11/1992 | See Source »

...series of cups followed the eggs, through the 1960s and '70s. In a sense the cups were Price's bread-and-butter work -- they were popular, and no California collector's knickknack shelf was complete without one -- and yet they were consistently inventive and spry, displaying a constant buzz of fantasy and a growing mastery of color. Sometimes, as in Gaudi Cup, 1972, the intensity of the glazes seems to have literally broken down the form of the ceramic into tiny glowing shards. This sense of color as a veneer on a flat surface gets turned into a form...

Author: /time Magazine | Title: Art: The Faberge of Funk | 4/13/1992 | See Source »

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