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...Whitcomb Riley boys in a swimming hole. Then, "in no time at all he was president of the road," bullying the directors of Chicago & South Western Railway into buying a little road for spite. Then a flashback to his first trackwalking days, his courtship of prim, big-eyed Sally (Colleen Moore). Then a flash forward to his troubles with his spoiled collegian son at whose angry look he says, "Don't look at me that way, boy. You're giving away too much weight" Then a flashback to his self-education when ambitious Sally walked track...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 28, 1933 | 8/28/1933 | See Source »

Playwright Sturges, no O. Henry, no Conrad, has ordered his parts to diminish the suspense, not to heighten it. With a technic calling for smart treatment, he has used it on the simplest possible problems, the simplest types of characters: the sentimental bully, Spencer Tracy; busy, smug, clean-toothed Colleen Moore; wickedly beauteous Helen Vinson; the caddish son Clifford Jones. Like Producer Lasky, Colleen Moore was making a comeback too, hers after a four-year absence from films. She and Spencer Tracy, their emotions confined largely to work and sorrow, gave performances rated by Manhattan critics as "inspired." Before last...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 28, 1933 | 8/28/1933 | See Source »

...Gossoon, by George Shiels (new). A young rascal flies about the country on a motorcycle, drinks, bets on the dogs, chases after every petticoat he sees, is finally reformed by a shrewd colleen with more cunning than her elders...

Author: /time Magazine | Title: The Theatre: Drama From Dublin | 10/31/1932 | See Source »

Divorced. By Colleen Moore, cinemactress: John McCormick, cinema producer, her onetime business-manager. Charge: that he had ugly moods...

Author: /time Magazine | Title: Milestones: May 26, 1930 | 5/26/1930 | See Source »

Footlights and Fools (First National). In wigs and short silk dancing clothes, against elaborate colored settings Colleen Moore plays a French actress in love with a race-track tout. The wandering story is handled in the superficial awkward way common to films in which the plot is merely a series of hooks for hanging up songs and dances. It is unfortunate under the circumstances that Colleen Moore has little singing voice and cannot dance. A typical Irish-American girl, spontaneous and convincing in parts that are natural to her, she is clearly uncomfortable in Footlights and Fools. Silliest shot: Miss...

Author: /time Magazine | Title: Cinema: The New Pictures Nov. 25, 1929 | 11/25/1929 | See Source »

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