Word: colleoni
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...slenderness of the old priest, who was probably about 80 when the likeness was made. His face is all parchment and bone. The prow of a nose and the jutting underlip have a fierce antique gravity, like Renaissance portrait sculpture-one thinks of the faces of Verrocchio's Colleoni or Donatello's Gattamelata. Every cut of the chisel seems to possess the final, unlabored Tightness of a brush stroke by a master of sumi-e (ink painting). There is probably not a sculpture on view in America this week that gives a clearer impression of the mystery...
Nothing Oldenburg does is lacking in irony-and this includes his wish to make monuments. The traditional language of monuments was heroic-Napoleon gesturing on a marble plinth festooned with trophies and Graces, or Verrocchio's statue of Bartolomeo Colleoni raking his bronze eyes across a conquered piazza from his striding horse. The monumental hero is, actually and metaphorically, bigger than life. But to make one, there has to be some belief in heroes, and there must be something to celebrate...
...period when it languished after the Rodinesque impressionism of Medardo Rosso and the kineticism of the futurists. Marini loathed the machine at first. He took his subject from the horse and rider, an image common in the Italian cityscape, with Donatello's Gattamelata, Verrocchio's Colleoni and the ancient Roman statue of Marcus Aurelius placed on the Capitoline Hill by Michelangelo. Traditionally, the man on horseback is a symbol of authority, of exultant control, of human power over nature. Marini turned the image from initial triumph to ultimate tragedy...
...both legs and arms in the same direction, and toppled slowly over on to its face. It then began to crawl off the rug. The nurse, without taking her eyes off the book, said "Naughty." The baby, with one hand in the air, paused. Its attitude was that of Colleoni's majestic charger in Venice or George Ill's famous "copper horse" at Windsor, and it seemed to enjoy cutting a dash. When it had crawled another two quick steps, it ended in the same grand pose. The nurse made ready to turn a page and again cried...
...Florentine Verrocchio is best known for his enormous and powerful equestrian statue of the hawk-faced Renaissance condottiere, Bartolommeo Colleoni, in Venice, and his elegant bronze figure of David astride Goliath's head; also for the fact that he was Leonardo da Vinci's first teacher and was said to have turned from painting to sculpture when his precocious pupil surpassed...