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DIED. TONINO DELLI COLLI, 81, prolific Italian cinematographer whose adaptive nature and masterly use of light allowed him to capture the moods of such noted directors as Federico Fellini and Roman Polanski; in Rome. Delli Colli gave a distinct look to every film he worked on--choosing supersaturated hues for Sergio Leone's The Good, the Bad and the Ugly and unadorned black and white for his collaboration with Pier Paolo Pasolini on The Gospel According to St. Matthew. He retired his camera after shooting Life Is Beautiful...

Author: /time Magazine | Title: Milestones Aug. 29, 2005 | 8/21/2005 | See Source »

...COLLI EUGANEI Rent a car and putter around the Euganean Hills, a few kilometers southwest of Padua. Don?t miss the gardens at Villa Barbarigo in Valsanzibio (+39 (0) 49 805 5614) and the Castello del Catajo in Battaglia Terme...

Author: /time Magazine | Title: Padua | 4/20/2003 | See Source »

...Signano Chianti Colli Sesnesi DOCG (San Gimignano...

Author: By Wine CONNOISSEUR par excellence and Samuel Hornblower, S | Title: Fifteen Minutes: The Chianti Wars | 4/6/2000 | See Source »

Stealing the show is Tonino Delli Colli's cinematography, which is hazy and remote throughout but becomes fast-paced and astute as the more sanguinary scenes call for it. Even fans of its literary parent will find Hollywood's Rose rendition to be a vision...

Author: By Elizabeth L. Wurtzel, | Title: A Haunting Rose | 10/3/1986 | See Source »

...Colli may enjoy his 150-ft. to 200-ft. bouncing swoops down the side of a building, but safe rappelling technique demands a steady, slower rate of descent. Bouncing jumps and pendulum motions put a tremendous strain on the rope and the anchor points; if either fails, Colli could lose his life. It is unfortunate that your cover picture featured such unsafe techniques...

Author: /time Magazine | Title: Letters: Sep. 19, 1983 | 9/19/1983 | See Source »

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