Word: colliere
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...past the Faculty has paid directly for the administration of these programs out of its non-restricted income. Endowment money would free the unrestricted funds for other purposes, but Bruce Collier, special assistant to Dean Rosovsky, say the interest on the $5 million will only pay for a quarter of the total cost of non-departmental programs. "It's more of a footstool than a chair," Collier says...
...dedicated, be worth carrying along on a business trip. The Runner's Guide to the U.S.A. (Summit; $12.95 hardcover, $6.95 paper) offers information on some 200 distance races, from four miles on up, with evaluations of the courses, the facilities available and the prizes awarded finishers. Target 26 (Collier; $4.95) provides some practical advice for anyone interested in marathons. The book is written in the same style as FM 22-5, the Army field manual that explains, among other things, how to turn left while marching. In addition, Target 26 trudges far too long through the minutiae of long...
...appearance under his own name. After a long exile, Foster returns unexpectedly one steamy August night when the restaurant is mysteriously jammed with patrons who ought to be in the Hamptons. The lights go out, a shot is heard and Foster is found under his old table, dead as Collier's, Viva and New Times...
...differential treatment, however, is the fact that most have absolutely no chance of receiving a tenure position at Harvard. The percentage of junior faculty Harvard has tenured over the last century gauges as well as any figures the flooding of the academic market with well-trained scholars. Bruce Collier, special assistant to Dean Rosovsky, outlines the facts: In the early part of the century, Harvard granted tenure to over 50 per cent of its junior faculty. In the early 60s, about 20 per cent of the in-house faculty received tenure. Over the past five years, less than...
...organized by Michael Harrison and Art Historian Rosemary Treble for the Arts Council of Great Britain, opened at the Royal Academy in London. There they are, together at last -John Everett Millais's Bubbles, Sir Edwin Landseer's Stag at Bay, George Frederick Watts' Hope, John Collier's The Prodigal Daughter and dozens more. Nothing could have seemed more secure than the fame and popularity of their authors; painters like Lord Leighton or, especially, Alma-Tadema (who, while working on one of his Imperial Roman story-pictures, had fresh roses shipped to him from the south...