Word: collodi
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Dates: during 2000-2009
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...from violence is pernicious," says Richard Wunderlich, co-author with Thomas J. Morrissey of the recently published cultural study, Pinocchio Goes Postmodern (Routledge; 257 pages). "In Italy the church fathers were once concerned that Pinocchio encouraged rebellion, where the current concern is that the story seems to reward obedience." Collodi's original conception still speaks to modern souls, says co-screenwriter Vincenzo Cerami, because "he's innocent, full of life, existing in an infantile Eden, looking for what Freud called the pleasure principle. He has to accept the principle of reality that includes death and a sense of duty...
...recovers, and the price he pays is small: his nose grows, but there are no burned feet. And when the cricket gets in his face, it isn't squashed; it sings Give a Little Whistle. For 62 years - ever since Walt Disney brightened up the grimmer corners of Carlo Collodi's 1883 classic The Adventures of Pinocchio - there have been two competing versions of the little wooden guy's story: one headquartered in Italy, where people rightly regard the original as a work of dark genius; and one in the U.S., where generations raised on Disney's moody animated...
Pinocchio's Family Tree Since Carlo Collodi first brought his puppet to life in The Adventures of Pinocchio, in 1883, there has been no shortage of fresh interpretations. Disney's animated classic is the most renowned, but the piny protagonist has launched a thousand remakes. A brief history...
...first sketch illustration of Collodi's often adapted Adventures of Pinocchio, by Enrico Mazzanti...
...from violence is pernicious," says Richard Wunderlich, co-author with Thomas J. Morrissey of the recently published cultural study, Pinocchio Goes Postmodern (Routledge; 257 pages). "In Italy the church fathers were once concerned that Pinocchio encouraged rebellion, where the current concern is that the story seems to reward obedience." Collodi's original conception still speaks to modern souls, says co-screenwriter Vincenzo Cerami, because "he's innocent, full of life, existing in an infantile Eden, looking for what Freud called the pleasure principle. He has to accept the principle of reality that includes death and a sense of duty...