Word: colombianizing
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...agent in charge of the U.S. Drug Enforcement Administration's San Diego office. According to testimony from former associates, Ramon often rises in the morning announcing, "I feel like killing somebody today," then satisfies the urge in ways designed to build the legend, feed the fear. Trademarks include "the Colombian necktie"--cutting an informant's throat below the chin, then pulling his tongue through the wound as he bleeds to death. Or suffocating a rival with a clear plastic bag over his head while a henchman named El Gordo (the Fat Man) bounces on his chest. But perhaps Ramon...
Still, Patino's murder may have bolstered Mexican government resolve. Soon afterward, the Mexican army, acting on cia as well as DEA tips, arrested Ramon's buddy Higuera at one of his houses south of Tijuana as he partied drunk and naked with two Colombian women. And patience with the Arellanos may be wearing thin among the Colombian cartels, which are often led by cultured narco-dons who view their Mexican allies as sloppy and uncouth nacos, or hicks--a gang, U.S. agents say, that had to bury a DC-7 in the Baja desert six years ago because...
Colombia, birthplace of Gabriel Garcia Marquez and many of the fables about El Dorado, has long been a land where people search for the extraordinary. So two years ago, singer-guitarist Andrea Echeverri and bassist-producer Hector Buitrago of the Colombian rock duo Aterciopelados (ah-tair-see-oh-peh-lah-dose) trekked to Colombia's Putumayo region, befriended a local shaman and joined in what Buitrago calls a healing ritual. "They make this drink, and everyone has it," says Echeverri. "You get terribly sick and get in touch with the divine part of yourself and see beautiful things...
Echeverri and Buitrago, both 35, are heroes in their homeland. Their 1995 release El Dorado sold more than 200,000 copies in Latin America, which made it the best-selling album by a Colombian rock act up to that point. And Echeverri, with her tattoos, piercings and plainspoken attitude, has become a symbol of South American feminism (she plays down such talk: "I would just like to be myself"). The group began as punkish, but it has broadened its sound to include electronica and Colombian folk. "We are modern people," says Echeverri. "But we have links to the past...
Gozo Poderoso (Powerful Joy) digs deep into Colombian traditions. The gently melodic songs are marinated in regional rhythms, including cumbia (a hot, syncopated dance music) and vallenato (a sweet, accordion-led genre). There are also futuristic flourishes: electronic beats, turntable scratching and tape loops. Luz Azul (Blue Light) is a song of hope directed at Colombians: "Let the emotion of the music penetrate you/Let the discord slide past you." Another track, Fantasia, is more overtly political, comparing American international influence to the tyranny of the Roman empire. But some of the best numbers are unabashed, almost old-fashioned, love songs...