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Word: color (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...dappled shade of a pear tree with two engaging poodles. Judgment of Paris, a swirling study in the pinks, reds, yellows of Paris (in a nightcap) and three rotund nudes, was painted in 1908 when Renoir was already an old man, deeply absorbed in the technique of broken color painting and already wracked with arthritis. The Durand-Ruel pictures were for the most part in Renoir's early manner. Outstanding were a luscious Bather and a self-portrait of the old gentleman in a white duck...

Author: /time Magazine | Title: Art: Painter's Painter | 3/25/1935 | See Source »

...painter's painter, passionately interested in the technique of his craft, with a lusty sensuousness that has caused Collector Barnes to compare him, at great length, to Rubens, Titian, and the 16th Century Venetians. Such a book would have appalled Painter Renoir. He was vitally interested in light, color and human bodies but hated philosophical arguments...

Author: /time Magazine | Title: Art: Painter's Painter | 3/25/1935 | See Source »

...group of painters who founded modern painting in the U. S. William J. Glackens has assiduously imitated Renoir most of his life. George Wesley Bellows and Robert Henri adopted Renoir's method of painting coal-black, "shoe-button eyes." Childe Hassam still experiments with Renoir's dappled color...

Author: /time Magazine | Title: Art: Painter's Painter | 3/25/1935 | See Source »

...morbidity, is breaking out in occasional patches that seem reminiscent of the same sort of adolescent sickliness. Author Douglas' high-minded story has a strong, sweet flavor about it that will attract followers of the late Gene Stratton Porter, members of the Oxford Group et al., but its color is definitely green...

Author: /time Magazine | Title: Books: Sweet & Strong | 3/25/1935 | See Source »

Dufaycolor is not the only film with the color screen applied directly on it. But because all color screens absorb some of the light they receive, all color films are "slower" than ordinary black-&-white film. Lumière film, the oldest, which is coated with fine starch grains, is 60 times slower. Agfa, which uses a solution of chemically discrete color elements, is 30 times slower. Not having geometrical screen patterns, these two films are susceptible to small inequalities of color distribution which may show up when a cinema projection is sufficiently magnified. Not only does Dufaycolor not suffer...

Author: /time Magazine | Title: Science: Snapshots in Color | 3/18/1935 | See Source »

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