Word: color
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Dates: during 1930-1939
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...like Thomas, looked better in a bearskin than Tenor Lauritz Melchior who usually sings Siegmund. And he sang the taxing music every bit as well. Twelve years ago critics used to find fault with Althouse's bleating but now, at 44, his voice is perfectly controlled, rich with color. Thoroughly exciting was the scene where he pulls Wotan's sword out of the ash tree. He jumped up on the table, grasped the hilt firmly, steadied himself and gave a mighty jerk that was felt throughout the audience...
...deceives everyone by assuming the flimsiest sort of disguise. She wishes to impress her songwriting husband (Franchot Tone) and a producer (Tullio Carminati) but does not succeed until she changes places with a Parisian music-hall star who used to be her partner in a sister-act. Changing the color of her hair and assuming a French accent, Constance Bennett nearly seduces her husband away from herself. Good shot: Franchot Tone promising Tullio Carminati to plead his case with Constance Bennett, then uneasily making love on his own behalf while Carminati plays rapturously on the piano. Good tunes...
...painting, his instructor made him draw from objects that he could only touch, blindfolded. About 15 years ago Joan Miro first appeared in the Paris art world, and in 1925 headed the most obscure group of modernists, the Surrealists. His early canvases were obscure enough, strange blobs of color against neutral backgrounds cut across by careening black lines...
...abstract painter more interested in getting emotions on canvas than creating recognizable designs. But in late years critics, hardened to modernists, have come to realize that he is also a serious, thoughtful painter with a vast grasp of the technique of his craft and an uncanny sense of color. His strange de signs have the quality of holding attention and spurring imagination which, in its essence, is the final aim of surrealism. Wrote conservative Critic Henry McBride last week...
...Joan Miro is a sincere and gifted artist. . . . Miro's way with color is first class, in fact he is about the most thrilling colorist in the world today. ... In the new compositions facts are almost dispensed with completely. There remains however a color so lovely that the pure in heart must yearn to employ...