Word: color
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Dates: during 1930-1939
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...girls will just come in and smoke them out, it will be a great favor to me.' So we had to follow after her, in our high-top boots, and there we sat, as imperturbable as we knew how to be, but with very heightened color, I am sure, and she insisted on our smoking, while she threw up the windows and drove before her the fluttering mosquitoes. She never alluded to the subject afterward, neither reported nor reproved us, for she wisely reasoned that the charm in all we were doing was the daredevil character of the performance...
...their dullness is due to the unerringly wooden touch of Frederick & Fanny Hatton who adapt most of them to the U. S. stage. Last month Laszlo Fodor's I Love an Actress was presented in Manhattan. Like an interesting photographic landscape, it had form and pattern but no color. Equally lifeless is A Church Mouse, another load of Fodor which relates the story of a drab little girl who has cunning enough to persuade a rich man to let her replace his mistress-secretary, finally to make her his wife. The element which made I Love an Actress bearable...
...what an extent the present world owes its color and character to Thomas Alva Edison, the press of the world will bear witness today. He will be praised as a benefactor of all mankind, as one of the greatest of all Americans...
...chief On Leong Tongsman and redoubtable "Mayor of Chinatown." Old Tom's wife was white. He shielded her and little Frank whom she reared an upright Baptist. Opium dens, eerie tunnels under Mott Street and stranglings in the dark are no childhood memories of Professor Lee, whose features and color resemble his mother...
...went to London and studied at the Slade School when that dusty institute contained such promising pupils as Augustus John, Sir John Lavery, William Rothenstein. Billy Orps did not have to wait long for recognition. His humor, the firmness of his line, above all his brilliant use of color attracted inter national attention. Very soon he had more portrait com missions than he could handle. Tycoons besieged his studio. One New York gallery offered him $5,000,000 to come to New York and do a series of 300 portraits. Billy Orps turned it down. He had all the portraits...