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Word: color (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...accompaniment to the four public lectures on "The Art of Walt Disney" to be given by Robin Feild '30, assistant professor of Fine Arts, an exhibit of sketches, models, color diagrams, and finished celluloid transparencies illustrating the technical processes of the animated cartoon are now on view at the Fogg Museum...

Author: NO WRITER ATTRIBUTED | Title: Disney Exhibit at Fogg Will Supplement 4 Feild Lectures | 2/15/1939 | See Source »

...duplicate has been pinch-hitting satisfactorily," and continued, "but please convey to the Harvard CRIMSON O.G.P.U., alias Cambridge W.C.T.U., our desire to have original returned for framing. Undecided whether to report case to La Follette Civil Liberties Committee or Dies Committee for Un-American Activities, but suspect that suspicious color of your sheet will imperil you most with latter group...

Author: NO WRITER ATTRIBUTED | Title: DIES INVESTIGATION THREAT IN DARTMOUTH PERMIT LOSS | 2/14/1939 | See Source »

...whole new method. Liking nothing so Puch as new methods, on his return to Paris he went to work on it. Cezanne had patiently toiled for years to realize on canvas the solidity of air and landscape by means of delicately placed little patches and planes of color. Cubism put roller skates on this technique...

Author: /time Magazine | Title: Art: Art's Acrobat | 2/13/1939 | See Source »

...hands of Georges Braque, who took it up almost simultaneously, of Juan Gris, a young Spaniard who took it in 1911 and made it charming, and of Picasso, cubism made cunning use of all that painters know about form and color in themselves-from such elementary facts that a red patch seems to advance and a Violet patch to recede, to the most ingenious refinements All paintings, as painters see them, are merely areas of certain colors on flat canvas. Cubism made pictures which everybody could see that...

Author: /time Magazine | Title: Art: Art's Acrobat | 2/13/1939 | See Source »

Undoubtedly a major work of Spanish Romanesque art is the fresco of a fantastic monster, recently acquired and installed in Warburg Hall at the Fogg Museum. Mounted attractively on the room's south wall, it is likely to win the most casual observer with its vigorous representation and rich color, its size and dignity. The fresco represents a species of griffin, showing the head and wings of an eagle, the neck of a serpent, and the tail of a cock. Though his body is much blurred, ferocity still lives in his eye, tension in his talons, strength in his large...

Author: NO WRITER ATTRIBUTED | Title: Collections & Critiques | 2/13/1939 | See Source »

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