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Word: color (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

When Fujimori reaches the top of San Juan de Amancaes, he surveys the hillside and grabs a reporter by the arm: "You see all that color down there? These people never had painted houses before. Do you think Nestor Cerpa painted them? No, they did, with the bank credits they can get now because they own property. Cerpa doesn't have any support here--none at all." He waves his arm across the panorama: "This is my vaccine against terrorists like the MRTA ever happening again...

Author: /time Magazine | Title: IN THEIR FACE | 1/20/1997 | See Source »

...Local Color...

Author: NO WRITER ATTRIBUTED | Title: For natives of Cambridge, enrolling at Harvard has special benefits, drawbacks | 1/6/1997 | See Source »

...meaning movies about race, Ghosts of Mississippi is not really about the black civil rights struggle. It's about the white liberal's burden--the crusade, waged by some stalwart fellow with star quality, to purge his community of official racism and to help all those decent people of color in the supporting cast. And of course the black actors don't get to play anything so interesting as a villain. Goldberg has to fashion Myrlie into a plaster saint, smothered by reverence, while Woods, snorting some invisible snuff, can have fun and lock up an Oscar nomination. Ghosts...

Author: /time Magazine | Title: A RICH FILM FEAST | 12/30/1996 | See Source »

...sense of continuity with both past and present. Beckmann's paintings draw, for instance, on German Gothic woodcarvings, in which the task of scooping space from a thin panel causes the figures to stand stiffly as though in fright. Equally, his work was influenced by Matisse, whose daring, expressive color and use of black translate, in Beckmann, into a stylistic effect similar to stained glass, with burning patches of green or flesh color emphasized by a webwork of heavy black outlines...

Author: /time Magazine | Title: ART: SCENES OF HELLISH HEAT | 12/16/1996 | See Source »

...lamp (perhaps a muse or a guide) to whom the upside-down corpse of her partner is bound. One cannot decode these too literally, but they presumably represent the chaos overtaking Beckmann's homeland. The center panel portrays the artist's dream of escape. The blue horizon (the color of peace) beckons; the king in the boat makes a calm gesture of benediction with his right hand while his left releases a school of small fish from a net trailing in the sea; and a Madonna figure with a child looks on. The painting pulls together a string of images...

Author: /time Magazine | Title: ART: SCENES OF HELLISH HEAT | 12/16/1996 | See Source »

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