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...show’s peripheral elements serve to provide a solid background to its comic madness. The lighting design of Tiffany M. Bradshaw ’10 contributes effectively to the mood, despite a chaotic and disorienting series of color changes near the finale. The gaudy Elizabethan costumes, created by Pugliese, further add to the production’s merrily boisterous feel...

Author: By Julian B. Gewirtz | Title: Cast of ‘Sorcerer’ Spellbinding | 11/13/2009 | See Source »

Conflict elsewhere in the country was inflected in other collections. Some of the loudest cheers were raised for both the subtlest and unabashed tributes to the Pakistan army. Few items received as much attention as young designer Feeha Jamshed's dirty-green khaki (the army's favorite color) dress. As the model twirled on the start of the ramp, she swung open the lower half of the dress to reveal a lengthy slit...

Author: /time Magazine | Title: Fashion Week Comes to Pakistan Amid Mayhem | 11/11/2009 | See Source »

...Hence the vanity of translation;” Percy Shelley wrote, “it were as wise to cast a violet into a crucible that you might discover the formal principles of its color and odor, as to transfuse from one language into another creations of a poet.” What the poet is communicating here is poetry’s fascination with presentation, its syntax, sound, rhythm—aspects that depend on its language of origin—so that there is an almost absurdly destructive quality to any translation. Though its semantic meaning can hold...

Author: By Adam L. Palay, CONTRIBUTING WRITER | Title: Revisiting Rilke's Translations | 11/10/2009 | See Source »

Where once there had been something congested and strenuous about Gorky's paint application, his clotted surfaces began to give way to Matta's thin washes of color. And now there's a slender, buoyant new line that darts all around the canvas, lightly defining swelling forms, with borders as thin as soap bubbles', just tight enough to create a sense of release when bursts of red or yellow pop them. You sense that this is the bouncing, eternal line of freedom and pleasure, one that traces back to the airborne arcs of those young women on swings in Fragonard...

Author: /time Magazine | Title: Arshile Gorky: The Shape Shifter | 11/9/2009 | See Source »

...most of his last years, Gorky went from strength to strength, making lush, abundant pictures like The Liver Is the Cock's Comb, his 1944 masterpiece in which pools of color supply a world where turbulent figures claw the air. But once the bad times began, they never quit. In 1946 a fire in his Connecticut studio destroyed more than 20 paintings. Then came rectal cancer and a car accident that left his painting arm temporarily immobilized. Then his wife left him, taking the kids. In despair and constant pain, he hanged himself. He was only 46 - a short life...

Author: /time Magazine | Title: Arshile Gorky: The Shape Shifter | 11/9/2009 | See Source »

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