Word: colorable
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Dates: during 1970-1979
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...ladies who take pen in hand are not irresistibly attracted by the blue of my eyes," confessed Oil Tycoon Jean Paul Getty, who, after five wives, still receives marriage proposals by mail. "The magnetism I exert is of another color -green, the hue of my purported wealth." Small wonder. Getty, 83, in an introduction to his forthcoming autobiography, As I See It, estimates his net worth at well over $ 1 billion and that of his family at "about twice again as much." J.P. disclosed that to avoid the sort of inheritance scramble that followed the death of Fellow Billionaire Howard...
...LAST IDOL of the free market Big Mac smashes is that of consumer sovereignty--the freedom to choose from a variety of goods. The burger entourage rolls on, covering over every trace of local color with a uniform circus yellow. Culinary freedom in America is disappearing--what became of the hot dog? And now McDonald's is standardizing the greasy spoon eateries of the world...
...rains have begun. Balboa is a riot of color, of blooming red hibiscus, bougainvillea and lilacs. Overripe mangoes rot on the ground. On a weekday morning, the only, sound on the quiet residential street is that of power lawnmowers. Says the wife of a Panama Canal (Pancanal) executive: "Don't write that our lawns are manicured. It gives the wrong idea. After all, this is just smalltown U.S.A." On another street, Dolores Irwin, wife of a canal pilot and resident of the zone for a decade, points to her clipped lawn and says, "It's for health reasons...
...What color is a chameleon? Every man's Brecht turns out to be his own. The production of Threepenny Opera at Manhattan's Vivian Beaumont Theater, shaped with satanic brilliance by Director Richard Foreman, is abrasive, stylized and sinister. Brecht's message -sprayed on the stage like graffiti on a subway train-is that the underworld of rapacious thieves, fawning beggars and mercenary prostitutes is an exact mirror image of property-minded, shark-toothed bourgeois society...
...appropriately simple stage bares the essential primitivism of "Winter Places." Mallardi wants her students to understand what goes into a theatrical setting by realizing that "lights, color, and costume" all play a role. "And if they choose not to use them, then that is a decision too." But can artistic choice really explain all the technical simplicities of the company's production? Mallardi herself says that the uneven cello and piano accompaniment to "Cresence" might have been re-recorded, but the group didn't have the money...