Word: colorable
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Dates: during 1970-1979
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...sometimes garish colors seemed to produce a falsification. If any world needed to be filmed in black and white, it was what French Writer David Rousset called I'univers concentrationnaire. All that obscenity transpired in an absence of color: ashes and smoke were gray, the SS uniforms black, the skin ash white, the bones white. Franz Stangl, the commandant of Sobibor, used to greet the trains wearing a white riding costume...
...19th century and our own. As Cézanne's work provoked cubism, so Monet's looked forward to abstract expressionism. Today the role of landscape in art has shrunk. But the most ecstatic perceptions of experience and the most radical discoveries about the language of color and shape that these sublime artificers made were developed from their landscape motifs. Cézanne's was the Provençal countryside around Aix. Monet's was a garden at Giverny, about 40 miles outside Paris. It is one of the sacred sites of the modern movement...
These are essential texts for Monet's lily-pond paintings, with their almost indistinguishable precisions of color, their deep tracts of the reflected sky (no horizon line, no orientation in space; the eye floats in an amniotic fluid of light), and their intricate play between air colors in the water and the solider rafts of lilies crossing them like clouds. Toward the end of his life, as his vision degenerated-first, after a series of primitive cataract operations, distorting his sight toward yellow, and at last toward blue-Monet rarely left his garden; but then, he did not need...
...wings and a prayer for the Dallas Cowboys Texas Stadium and the start of a three-month, 50-state tour. For $300, visitors not only will get to climb aboard and "see where he slept when he visited with friends," but will receive 15 sets of color photos of the plane's interior and twelve kits of Add-A-Tune engine booster...
...experiment with mixing the two, valuing tradition over innovation. Attempts to make Indian music more palatable to American audiences by doing such things as writing concertos for sitar or playing Indian music on the saxophone, strike him as a compromise. "I myself will never try to mix two colors to create a third," he says. "It is easy to do that, but it is harder to work with just one color...