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Word: colorable (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...simply cannot understand why, in the name of the public's right to know, you must infringe on personal suffering, shock and crisis by showing people's agony in living (or dying) color...

Author: /time Magazine | Title: Letters, May 2, 1977 | 5/2/1977 | See Source »

...narrow and authoritarian standards of "tough" formalism, as issued to the world by Clement Greenberg and his epigones in Artforum. Nothing considered inessential to painting remained in it. No representation or symbolism. No drawing except of the most rudimentary and geometrical kind: circles, squares, chevrons, straight fast bands of color...

Author: /time Magazine | Title: Art: Pure, Uncluttered Hedonism | 5/2/1977 | See Source »

...wanted to have color be the origin of the painting," Noland said in 1969. "I was trying to neutralize the layout, the shape, the composition in order to get at the color. Pollock had indicated getting away from drawing. I wanted to make color the generating force." On this proposition, and the paintings that flowed from it, a palace of exegesis was raised-an academy so pervasive hi its effect during the '60s that hundreds of younger artists from New York to Sydney could see no way past it. The polished assurance of Noland's style, its clear...

Author: /time Magazine | Title: Art: Pure, Uncluttered Hedonism | 5/2/1977 | See Source »

Just as Kushnick experiments with sounds and perceptions, Jeannie Lieberman sees herself as "a psychic emotional jiggler" who asks herself "deep root questions," and expects the listener to do the same. She uses her voice as an instrument, experimenting to discover the right texture, color and feel. The rising glissando in the second verse of "Velvet Sportcoat" abruptly alters the mood set by the song's first verse, and underscores the words: Haze like juice spilled slowly formless/Scent of citrus in my ears." In one of Johnson's compositions, "Instrumental," Lieberman makes bird like sounds that are almost primal...

Author: By Michael Barber, | Title: A Psychic Jiggler | 4/28/1977 | See Source »

...revised and abridged version of Morison and Commager, retitled A Concise History of the American Republic, remains a permanent refreshment. The book is not the physical bargain that The Great Republic is: its illustrations, though superb, are only black and white. But its accounts have a high color. The mission of Franklin, Deane and Lee to secure France's aid during the Revolution, for example, becomes "a spectacle to delight the gods-smooth Ben, sleek Silas and suspicious Arthur selling a revolution to the most absolute monarch in Europe." Morison was correcting the manuscript of this revision just before...

Author: /time Magazine | Title: Books: America, America | 4/25/1977 | See Source »

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