Word: coloration
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Dates: during 1920-1929
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Again I congratulate you on the selection and execution of the subject representing the adornment of the cover of TIME for last week. Mr. Adams is a personable gentleman with attractive features and the little touch of color in the picture enhanced the effect...
...abreast. Another is that there is no adequate way of grading sounds so that the singing of the ensemble at the back of he stage will be less sonorous than that of the principals at the footlights. Another is that musical comedies depend for much of their effect on color, and color-production in cinemas has not yet been perfected even as well as sound. Last week three new singing-&-dancing pictures met these difficulties with varying success...
...musical show in the conventional cinema story about an understudy who got her chance. Dancing intervals, punctuating the Negro comedy of Stepin Fetchit, get across by such not entirely original, but fairly effective devices as photographing all the girls' feet at once or all their eyes. One good color sequence partly makes up for mediocre tunes. Best shot: backstage hands on opening night...
...with the Show (Warner). The faint, yellowish color which tints this film most of the time well suits a musical show. Betty Compson is pretty and so are most of the other girls. Ethel Waters sings in her husky, exciting Negro voice. The story of backstage life is tedious, archaic, complicated. The music is about what you would get in a drawing-room operetta. In spite of these drawbacks, this picture is the most interesting of its type to date. Best shot: the ballet coming down a flight of stairs in feathers...
...colors in both paintings are of low intensity. The prevailing tones are gold and brown, although the background of blue sky and sea and the splash of color in the flag and the Phrygian cap of the painting of the Coming of the Americans give the dash and variety needed to enliven the color scheme. The general effect, therefore, is not unlike that of a fresco and is, for this reason particularly happy from the decorative point of view. The adoption of a palette of browns and golds, high in value, but low in intensity, harmonizes perfectly with the brownish...