Word: colorations
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Dates: during 1950-1959
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...fascinated with your Nov. 25 color pictures of the horrible monstrosities we have created to defend ourselves from destruction and to destroy other people who likewise are preparing similar machines to defend themselves from destruction by us. In the frenzied direction we are now headed, to avoid sudden destruction we seem to be preparing to perish slowly, like Laika, in a bigger and better metallic cage...
...exhibit Britain's painting of the 18th century, the British Council has assembled 86 paintings, including four owned by Queen Elizabeth II, 16 by Canadian and U.S. owners (see color pages).* Opening last month at Ottawa's National Gallery, the show will move on to Toronto and Toledo, Ohio before the paintings are sent back to their owners. One indication that the four years spent in planning and collecting the show would pay off handsomely: despite the fact that Ottawa was charging admission for the first time, attendance in the first two weeks ran more than double...
...Tree are works of quality and excellent draughtsmanship, yet their overbearing concern for the histrionics of their subject matter works against them. Moreover, the later Klees in the exhibit avoid histrionics, as their subject matter is relegated to a whimsical leitmotif, subordinated to the wholly poetic studies in color and shape. This latter group incidentally has long represented Klee in exhibitions of the so-called French school. They are works whose universal qualities transcend the mannerisms of any one idiom. It is perhaps this individualism which makes it so difficult to categorize a "French School" despite the heavy concentration...
...comparative survey last week, TIME correspondents across the U.S. found that in a majority of cases top national and international stories got substantially the same play in big cities and small. The middle-tier papers have also been quick to seize on such technological advances as color printing, tele-typesetters and cheap, fast methods that enable them to use as heavy photo coverage as most city dailies...
...black and white and gray by Willard Midgette looks out from the cover of the latest Advocate with a seniorial air of wisdom. Both the color and the air of the owl match those of the two stories therein, by Sallie Bingham and A.E. Keir Nash...