Word: colorations
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Dates: during 1950-1959
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...seems to me," wrote A. Usakovsky, a foreman at Moscow's Likhachov Automobile Plant, "that many of those who get married in church do so not because they believe in God but because they like the ritual with its solemnity and color." Even the Communist Party had to agree that Soviet weddings could hardly be more drab. Izvestia, carried away with the monotony of it all, even offered prizes for those who could think up elaborate and colorful rituals to substitute for Christian baptism, a coming-of-age ceremony that would correspond to confirmation, and a new wedding ritual...
...morning last week the Associated Press got a request by longdistance telephone from the Minneapolis Star: could A.P. take color pictures of General George C. Marshall's funeral, airship the developed film from Washington to Minneapolis that same night? The A.P. could and did. Next morning at 10:20, right on schedule, five big Star presses rolled. On Page One: a five-column, four-color picture showing the flag-draped casket and its uniformed pallbearers, the pearl-grey columns of Washington Cathedral, the green trees and the blue...
Star readers are used to such fast and timely color with their news. The paper prints news or news-related color pictures five times a week, recently spread a four-color picture of an American Legion parade across Page One just 5 hours and 19 minutes after the photograph was taken-and while the parade was still going...
...Captain From Koepenick is a full color re-make of a mid-30's film about the Prussian military at the turn of the century. The story involves an ex-convict, who, becoming piqued with the government, buys an old infantry uniform, commandeers a dozen healthy, helmeted Berlin youths, marches them to the neighboring town of Koepenick, and ends up arresting the mayor and sending him to jail. The film, as it might appear, is primarily a comedy, and the last fifteen minutes are delightful in a Teutonic, beer and wursty manner...
...white film. Blind street singers grind out a Weill-ish ballad, one playing a hand organ, the other tapping a drum with sticks taped to his elbows. A dying consumptive girl cries out in fear of the whiteness of the window in the early twilight. But, even though the color is muted in these scenes, it protrudes everywhere; and the directing seems to feel obligated to follow the color--to feel obligated to keep everything clean and bright, to remain aloof, to treat the pathos as though it were an awkward intrusion which must be made the best...