Word: colorations
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Dates: during 1950-1959
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Mustered in a hurry, the journalist army trained its eyes on the riotous color of Cuba in ferment. Rivers of copy surged onto the front pages, but the meaning of Cuba's sudden agony was left to deskbound editorial writers. They fired from the hip. Batista, the deposed tyrant, was condemned. Castro, the idealistic liberator, rated approving choruses, relieved only here and there by a suspicious question. In the next phase, as the tattoo of rebel firing squads stitched a new pattern on the face of Cuba, and the landscape was no longer boldly black and white, U.S. readers...
...result of complaints last September that nine landlords on the Registry list were refusing to rent to Negroes, the Housing Registry instituted a policy in early December requiring that landlords agree "to rent to Harvard and Radcliffe people regardless of their race, creed, color or nationality...
Anna Lucasta (Longridge; United Artists), in the course of its on-again, off-again success story, has suffered more color changes than a traffic light. As first written, back in 1936, Anna was a backstreets melodrama in which Playwright Philip Yordan rummaged among some white trash in a small town. The principal characters were poor Poles, and the heroine was described by one playgoer as "a sort of squarehead Camille." When the play, as written, failed to get a Broadway opening, Playwright Yordan remaindered the rights to the American Negro Theater. The white trash became black trash, and caught fire...
...most present visitors, the Albright's latest exhibition remains a monumental procession of question marks in color. Hans Hartung's T 55-28 has airy life about it, yet hardly seems to justify Expert Alfred Barr's considered statement that Hartung, 54, a German turned Parisian, is "perhaps the best master of calligraphic abstraction." In 3 Avril 54, Pierre Soulages' black, plank-broad oil smears do not seem a great advance over the similar smears that first brought him attention a decade ago. Donald Hamilton Eraser's Morning Star offers at least a tenuous contact...
...America," F. Scott Fitzgerald once wrote, is "a willingness of the heart." It is also a continuing effort of the imagination. To the sum of dreams that have shaped the U.S., Author Griffith has added his of a land "where differences in color and race are not falsely denied but make a competition in being the best . . . where nobility is not mere respectability and virtue does not produce a snigger; where the clang of work and the clamor of play attest to the common health; where enemies cannot reach us because our merit, and not our guns or our propaganda...