Word: colorations
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Dates: during 1950-1959
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...college town of Oberlin, Ohio (1950 pop. 7,062), neighbors knew Alice Cowles Little as a dear old maiden lady with a sharp memory and a penchant for collecting. Her memory, even after more than half a century, still warmly cradled the color and sound of the faraway Pacific islands that she visited as a young missionary for the Congregational Church. Her collections-sea shells, bits of pressed vegetation, samples of earth and coral-cluttered her antebellum house on Oberlin's East College Street, where she lived quietly the last 50 years...
...Washington and took on his ARPA job, turned out to be that rare combination of thoroughgoing professional and easygoing, low-pressure executive. Once a sports-jacket type, York has changed to conventional suits, but his wife still has to sew identifying labels into his clothing, for he is color blind...
...page, tabloid-size monthly newspaper is one of the best of some 200 publications produced by and for convicts. As a whole, they make for one of the more captivating aspects of the nation's press. They vary widely in style, from muddy mimeographs to a glossy, three-color quarterly, like the Atlantian at the U.S. penitentiary in Atlanta. Their circulation can be impressive: the biweekly press run of the San Quentin News is 10,000 copies, 1,481 of which go by mail to paid subscribers, including Actor Jack Palance and Society Columnist Cobina Wright (no alumni). Inside...
...Father Panchali (TIME, Oct. 20), the Indian movie business is likely to go on pandering to more undemanding millions than Hollywood ever envisioned. There is good reason: the occasional jackpot is full of jack indeed. For a borrowed $500,000 two years ago, Bombay Producer Mehboob Khan made a color film, Mother India (no kin to Katherine Mayo's book of the same name), which has since raked in $2,000,000. Mehboob's next step: getting Hollywood itself to lend a co-producing hand with an even more lavish film fetchingly titled Taj Mahal. What will happen...
...York City Ballet's version of Tchaikovsky's Nutcracker has become something of a Manhattan institution at Christmas time, and CBS chose it for its only live color broadcast of 1958. Once past the opening scene's heavy-footed family frolic, the production made a softly bright delight of the land of the Sugar Plum Fairy. Avoiding the tricky camera shifts and closeups that most directors try when televising ballet, Director Ralph Nelson kept the episodes sharp, the camera steady. Result: an overall sense of gaiety and space. High point: Allegra Kent, crisp and crystalline...