Word: colorations
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Dates: during 1950-1959
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...city, but I did not get a bill until after I was graduated, and the management gave me 25% off." Soon the Columbine lifted him back to Washington and more technological advance. He headed a Cadillac cavalcade out to inaugurate the National Broadcasting Co.'s new Washington color-TV studios. Staring at winking oscilloscopes and red-eyed cameras, he beamed: "It is like nothing else so much in my mind as the radar room in a big battleship, or some other complex thing that really is entirely beyond my comprehension but is still capable of exciting my wonderment...
...wire service for his own papers, I.N.S. has long been in trouble. Kept going more out of Hearstly pride than profit, it averaged an annual loss of some $3,000,000 over the past few years. To compete with the A.P.'s thoroughness and the U.P.'s color, I.N.S. fell back on splash-and-dash journalism. On a coronation story, editors could rely on the A.P. for the dimensions of the cathedral, the U.P. for the mood of the ceremony, and the I.N.S. (sometimes) for an interview with the barmaid across...
...years, an employee of the Globe had climbed a ladder propped against the building and posted headlines on a wooden signboard. Early last month a final bulletin went up: "Globe says goodbye to Newspaper Row." Last week Globe Editor Larry Winship was proudly showing Massachusetts newsmen the four-color presses in his paper's new $12 million building in nearby Dorchester; and, for the first time since 1860, Washington Street was without a daily newspaper...
...Force off this week's TIME cover but produced not a ripple in the intensive, long-range campaign he serves: to solve the problems of man's survival in outer space. Six months ago, TIME tackled the job of picturing the efforts of U.S. space medics in color, found that there was more to picture than had been imagined. Medicine Editor Gilbert Cant went on a flying tour of U.S. Air Force space medicine centers, and for his preview of what man faces when he reaches for the stars, see MEDICINE, Outward Bound...
Large & Small. Today Calder mobiles grace living rooms from Tokyo to Rio de Janeiro, hang in museums from Massachusetts to Moscow, enliven public and business buildings from Beirut to New York's International Airport (see color page). A water-ballet fountain performs at Detroit's General Motors Technical Center; a 21-ft. motorized, mobile-topped stabile called The Whirling Ear guards the outside pool of the U.S. Pavilion at the Brussels World's Fair (Calder's commission: $10,000). Last week Mr. Mobile left his Roxbury studio and flew to Spoleto, Italy, to supervise the installation...