Word: colorations
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Dates: during 1960-1969
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Upon reading your review of Miss Susann's book and facing the distressing fiscal facts contained therein, I rushed forth and bought a color television set of heroic dimensions, broke off all diplomatic relations with my book clubs, and now, with shriveled soul and bated breath, I wait for the dawn of McLuhan's Millennium of Non-Linear Information...
...mediums with a louder-than-usual tone. A minimal sculpture sits contemplating its own existence, while a geometric plastic chess set looks ready to be used. All the works are executed with scholarly precision. They will not shock any eye fed with the black cubes of Tony Smith or color-swirled bus posters of Peter Max. The students seem to be working our moderate styles before they break into more radical imagery...
...movement is expanding both pictorially and geographically. Check printers are turning out two-color "personality extension" checks that are supposed to give the account holder a choice of self-images: an American eagle for the patriot, cupids for the romantic, geometric patterns for orderly types. Manhattan's Irving Trust Co., Detroit's Bank of the Commonwealth and about 300 other banks now offer two-color checks decorated with hearts, psychedelic designs and even the peace symbol...
...Sanders Advertising & Public Relations. For 15 years, Vince Cullers got by on the fringes of advertising as a freelance artist in Chicago; it was tough for a Negro to find a job in a white agency. In the past three years, the rise of black consciousness has turned his color into an asset. His agency now bills an estimated $1.5 million a year from accounts that include Kent, Newport and True cigarettes, Wayne-Gossard Corp. and the Joe Louis Milk Co. His ads are characterized by what he calls "a pride in being black." One magazine layout for Afro-Sheen...
Technically, the film is little more than primitive art. Made in 1964, it was withheld during a five-year battle between co-producers. The slow dissolves, the gross use of filters to turn day into night, are rarely used today. Moreover, the local color is often put in by rote, as when Milo philosophizes, "Cities 'n' houses . . . come between us 'n' God," or when George addresses the camera in an arch epilogue. Yet The Fool Killer remains valid for two reasons. In its picaresque exploration of a naive, vanished America, it meanders into the Twain tradition...