Word: colorations
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...university community and contrary to the basic precepts of Harvard. For me, that is a principle which is difficult to disagree with. However, punishment would never be a problem if we could feel justified in exercising it on principles alone. Circumstances give, in reality, to every principle its distinguishing color, discriminating effect, and unique application. John D. Hanify...
...Champagne Murders is the last and most important, and it enabled him to make Les Biches, a great success which has restored Chabrol to critical favor. The difference between the two films is staggering, and testifies to Chabrol's greatness: The Champagne Murders uses the zoom lens, violently colored images and elaborate decor; Les Biches has only one zoom (the final shot), employs only cool colors (mostly blue-greens; Chabrol says that most color films "hurt my eyes") and is more conventionally formal. Both films, however, are unmistakably Chabrolian, and mark the increasing maturity of France's most important young...
...filter on the navigation transit) glowing in the black sky. As Apollo orbits the moon in a nose-down position, the movies show the barren landscape flashing by only 70 miles below, then seemingly reversing in a dizzying maneuver as the capsule rolls into a new attitude. In other color shots, inside the cabin, viewers can see dimly the astronauts shooting pictures out of the window, a flashlight hovering weightless in mid-cabin and finally twirling into place after being nudged by an astronaut's hand...
...figures in Christ Appearing to Mary, painted about 1885. It pulses in the background of The Flying Dutchman, which shows the phantom ship gliding across the horizon behind an open boat manned by three storm-tossed mariners. As Ryder remarked: "What avails a storm cloud accurate in form and color if the storm is not therein?" In this painting, the storm is undeniably there...
Equally clumsy is the film's direction, the work of Christian Marquand. Every sequence is overlong and overdone. The editing is helter-skelter, with some scenes totally incomprehensible. The color is shoddy and dank; the musical score is too loud and irrelevant. Worst of all, it is highly questionable that Marquand even bothered to direct any of his cast...