Word: colorations
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Dates: during 1970-1979
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...tone of Dawn is wildly different from Romero's earlier film, which was stark, claustrophobic, strewn with unintentional laughs, and genuinely funny. The gore and quick cutting help provide the scares, but the heavy use of shopping mall Muzak and color (the original was in black and white) buffer the horror and amplify the irony. It's also shockingly well-directed, blazingly edited (also by Romero), well-written (by Romero), and even well-acted (not by Romero)! The music editing, color, and jerky movements of the living dead combine to create a weird cinematic tour de force...
...print. O tempora, O mores! When Jimmy Carter told a group of Congressmen at a White House dinner last week that if Senator Edward Kennedy runs against him in 1980, "I'll whip his ass," most major news organizations hastened to quote the remark in living off-color...
...touch and to move, and to do this by getting close to nature." Chardin, Diderot said, epitomized that ambition at work: "Welcome back, great magician, with your mute compositions! How eloquently they speak to the artist! How much they tell him about the representation of nature, the science of color and harmony! How freely the air flows around these objects!" Few painters have ever had such a press as the one which, interrupted by a few decades of neglect after his death, greeted Chardin from Diderot, the Goncourt brothers, Gide, Proust and dozens of others...
...stuttering line of red-wineglass, fruit, and painted fruit on the coffee cups; how the slab of bread repeats the rectangular form of the packet on the right, with its cunningly placed strings; and how all these rhymes of shape and format are reinforced by the subtle interchange of color and reflection between the objects, the warm paste of Chardin's paint holding an infinite series of correspondences...
...location of the film's action in a dynamic montage flow. Black and white photography together with wide screen ratio ideally combine to present the architectural-pictorial aspect of the metropolis. With its metal, stone, dark brick, glass and concrete structures, New York projects a black-and-white vision. Color belongs to San Francisco, Palm Beach, Las Vegas and even Washington, while dark and bright contrast, especially at night, is what makes New York visually the most exciting city in the world...