Word: colorations
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Dates: during 1970-1979
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...technique allows for large-scale battles and much hacking and hewing, as well as some distracting side effects. When the crowds are especially dense or the action swift, the superimposed cartoon fades to a sketchy approximation. The live actor-models flicker like ghosts behind a thin wash of color, and the viewer feels an urge to apply a damp cloth and see what is really going...
...Saturday Evening Post?already a magazine circulating 2 million copies a week?carrying a velvet-wrapped bundle of paintings and sketches to show to Editor George Lorimer, Rockwell was greeted by nothing but success. He began his career as a professional artist at a time when large-scale magazine color illustration, thanks to radically improved printing technology, had become one of the keys to mass culture?the television, one might say, of pre-electronic America. It was the illustrators' moment; born into it, Rockwell kept climbing. By 1920 he was the Post's star draftsman. By 1925 he had become...
...advisers. Rockefeller personally supervised the recasting of the bronze objects and the hand painting of the copies of his rare Meissen china. For the reproduction of paintings, he decided against the often used lithographic method in favor of the Cibachrome photographic process, which closely captures the color of the originals...
Today, a New Yorker looking for fulltime, live-in help must compete with as many as 70 other applicants for the same worker. Live-in housekeepers on Long Island frequently get a color TV in their private quarters, use of a car and country club privileges in addition to their pay. In many urban areas, homeowners resort to maid sharing, maid stealing and other unorthodox means of getting help. A Fort Lauderdale couple succeeded in finding a housekeeper only after the husband, an attorney, received a client's domestic as part of a bonus for handling his divorce case...
...appeared to be an aesthete to his fingertips. Staining, scumbling, glazing, building up those exquisite oblongs of color, he coaxed an amazing range of effects from a nominally simple format. Sometimes the paint has the grainy opacity of stone, sometimes it is no more than a puff, a vapor with color bleeding through it. It is never crude and only rarely inert. In this way a most sonorous pictorial eloquence is placed at the service of incommunicable feelings, and the sad facts of Rothko's life rush in to complete the missing subject matter. In a sense, the late works...