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Word: colorations (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...home we have a color T.V., a blender, cable, but I came here and students' parents make $80,000 yearly. I say, man, and I wonder what they do with all that money...

Author: By Eugenia Balodimas, | Title: Cruzing the Streets of Boston | 6/5/1986 | See Source »

...25th reunion come outon top in the gift-getting bonanza, since theyreceive gifts for their families as well asthemselves. The whole family gets t-shirts andtowels with the reunion logo. In addition, thereturning alumni get ties and tennis hats, andtheir wives get tote bags, while their childrenget hats color-coded to their age group...

Author: By Brooke A. Masters, | Title: Class of '61 Storms City, Reunion Classes Arriving | 6/2/1986 | See Source »

...three comparably talented colleagues, Greg Hicks, Eleanor Bron and Jonathan Hyde. The stand opened with The Duchess of Malfi in a faithfully Grand Guignol rendition of Webster's Jacobean tragedy. Actors clad in funereal black moved menacingly amid the stately but decaying gray palatial sets; virtually the only color was a frequent splash of blood. The ensemble followed with an energetic rendition of Chekhov's The Cherry Orchard...

Author: /time Magazine | Title: Theater: A Player's Map of the World | 5/26/1986 | See Source »

...Beefalo from Healey's Market in Manchester, Vt., was slightly richer, more flavorful and moister than comparable cuts from Chenango Beefalo in Greene, N.Y. Although neither example of beefalo matched Brae, both were certainly adequate. Steaks cooked rare were the most successful cuts, even though they were paler in color, milder in flavor and a bit tougher than Brae. Stews were barely acceptable. Roasts, however, were much too dry because the meat lacked the fat to keep them supple...

Author: /time Magazine | Title: Food: How Do You Say Beef? | 5/19/1986 | See Source »

...genesis was minor: "The only thing I can do as a performer is to give the benefit of what I know about the violin to help him say what he wants to say. I put my hands, heart and belief at his disposal." A complex, rhapsodic study in tone color, it is particularly well suited to Stern's soulful intonation and vibrant technical flair. "You have to study the whole score and put together the sound in your head totally," explains the soloist. "Then you take the work apart measure by measure. You must learn the work from the inside...

Author: /time Magazine | Title: Music: Making the Strings Sing Again | 5/19/1986 | See Source »

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