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Word: colorations (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...retired. Maurice Lucas, with whom Walton teamed to snag rebounds, hit a 60-ft. shot at the buzzer the night before last for the L.A. Lakers. And Dave Twardzik, to whom Walton would throw his perfect outlet passes, is working in the Blazers' office after a stint as the color commentator for the team's radio broadcasts...

Author: By Richard L. Meyer, | Title: Bill Walton: Always A Winner | 12/6/1985 | See Source »

...Night Football more interesting than other sports telecasts is unchallengable. There is no doubt that people take more notice when they are infuriated, and Cosell's inanities on Monday Night Football did a lot of infuriating. But by directing backhanded slaps at everybody from Gifford and Meredith to CBS color commentator and football God John Madden, Cosell undermines his own credibility. He is not, as he would have it, the only redeeming person in the entire sports world. And while his Sportsbeat show is critically acclaimed, it is not popularly accepted. Cosell has failed to realize that Americans want their...

Author: By John Rosenthal, | Title: Cosell Sings Own Praises | 12/4/1985 | See Source »

...Lanzmann is obsessed with detail. "Excuse me," he will ask. "But what time in the morning was it? Six or seven a.m.? What color were the vans that took the Jews away?" Other critics who find fault with such meticulousness are missing the point of Lanzmann's goal: to render real experience in all its richness--not to interpret or to impose anything else. And these memories, which speak eloquently for themselves, in turn create new memories--from the painful to the exhilarating--for those who hear them...

Author: By Melissa I. Weissberg, | Title: The Creation of Memory | 11/20/1985 | See Source »

Crimson should be the dominant color of the 25th year of the Eastern College Athletic Conference (ECAC...

Author: By Matthew A. Saal, | Title: Paint It Crimson | 11/15/1985 | See Source »

Lighting was generally botched on the reviewed night. The followspot was hopelessly out of sync (i.e. under rehearsed?) during Play. And, among other design gaffes, the background effects during Leg that were allegedly supposed to resemble sunrise were shamefully misprogrammed and were used in the wrong color combinations. In the larger context of a botched second act set, the lighting errors provide us with sufficient evidence to soundly condemn the work of Richard Rutkowski, despite his fine first act set concept...

Author: By T.m. Doyle, | Title: Agony and Ecstasy on the Mainstage | 11/14/1985 | See Source »

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