Word: colorations
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Dates: during 1980-1989
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HELEN FRANKENTHALER: A PAINTINGS RETROSPECTIVE, Museum of Modern Art, New York City. In the '50s, Frankenthaler's lyrical washes of color had a decisive influence on abstract expressionism; today she ranks as America's best-known living woman artist. These 40 canvases from four decades show why. Through...
...Chateau Gaillard stands watch over the valleys below. Perhaps the most haunting of all the stops is Monet's retreat at Giverny, where the painter lived for 43 years until his death in 1926. In his calendar, June belongs to the rhododendrons and wisteria, but come summer each color will have its season, as the rambling roses bloom in August and dahlias erupt in the fall...
Part of the Kronos allure is that the group spices up technically assured string playing with slick show-biz trappings. The four frequently perform in color-coordinated outfits, and their concerts are often akin to performance art. Beyond that, the Kronos is a resolute, almost fanatic champion of new music. It has given world premieres of more than 200 works, including five so far this year. "When people come to a Kronos concert," says Jeanrenaud, "they know they will hear something that requires a reaction, even if they don't like what they are hearing. You can't just...
...association of glass with steel that gives his work its peculiar evocative power. Wilmarth worked the glass, bending it discreetly and etching it with hydrofluoric acid. This frosted the panels and brought out their color, which varied from a cold ice green to a soft, almost moonstone blue, diffused on the face but sometimes concentrated with sharp energy within the edges. The dark steel, seen through this translucency, lost its declarative character; it blurred, and became a presence, or rather an immanence: something very much there yet hard to define...
...fixed to a metal plaque with edges and attachments that suggest a window frame, and thus someone (the sculptor himself) looking out into our space. These pieces are darker and less restrained. The smoothness of the glass gives way to textures of rust and even spattered lead -- the silvery color of the lead functioning, like paint, as light. They are Giacomettian in their sense of endurance, remoteness and loss. But the phase of Wilmarth's work that they began was not to be completed. This was a sad subtraction...