Word: colorations
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Shimmering with vibrant, romantic color, Wong Kar-wai’s newest film sprinkles solidarity into the vast and anonymous world of 1960s Hong Kong. In stumbling upon love when they expected it the least and needed it the most, two young professionals find each other living in the same apartment building and struggling with the same doubts about their spouses. The inspiration for Lost in Translation, this symphony of detail moves slowly and beautifully through the foundations of longing. Tickets $6. 7 p.m. Harvard Film Archive, 24 Quincy Street...
...French mafia. In hot pursuit, Madame Souza travels to the Dionysian metropolis Belleville, where she enlists the help of the eponymous triplets—former scat singers turned household-item instrumentalists—in liberating Champion from the clutches of a diminutive wine magnate. A marvelous fusion of color, music, and caricature, each splendid offbeat frame restores faith in traditional hand-drawn animation, and we have Chomet’s superbly macabre imagination to thank...
There are a number of bright spots that help to color the play. The production used an amalgam of time periods for its costuming, designed by Khalda A. Ibrahim ’04 and Sylvia W. Houghteling ’06. Particularly effective was the portrayal of the gods as modern businessmen, with Athena (Cydney McQuillan-Grace ’06) carrying a briefcase and Poseidon (David V. Kimel ’05) recording the destruction of the Greeks on the “to-do” list of his personal digital assistant...
...exhibits kicked off with Joan Miró (1917-1934), The Birth of the World, which runs until June 28 at the Centre Georges Pompidou, offering almost 240 paintings, drawings, sculptures, collages and constructions from the Catalan artist's early years, as he constantly experimented with themes, technique, style and color. The show's title is borrowed from a 1925 painting; the world being born was Miró's own, a unique galaxy of pictorial enchantment residing on the border between surrealism and abstraction. The show traces the young Miró's zigzagging path between his family farm in Montroig, near...
...French mafia. In hot pursuit, Madame Souza travels to the Dionysian metropolis Belleville, where she enlists the help of the eponymous triplets—former scat singers turned household-item instrumentalists—in liberating Champion from the clutches of a diminutive wine magnate. A marvelous fusion of color, music, and caricature, each splendid offbeat frame restores faith in traditional hand-drawn animation, and we have Chomet’s superbly macabre imagination to thank...