Word: coloraturas
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Dates: during 1930-1939
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Josephine Tumminia proved to be the find of the San Francisco season. She was a slender graceful actress with a fine flair for comedy. She exhibited a natural coloratura voice so flexible and sure that critics forgave her the occasional tones which were metallic and edgy. Proud Father Salvatore Tumminia found that business picked up following his daughter's success. Two days after her début Tenor Schipa climbed into Barber Tumminia's chair, let him lather his face while pretty Daughter Josephine trilled...
Amelita Galli-Curci needed no advertising after 1916 when she made a memorable debut with the Chicago Opera Company. In the years that followed, her singing rang through most of the civilized world, earned her the rating of the world's greatest coloratura soprano. She sometimes sang a little off pitch and she was not a good actress but her beautifully pure, light voice, her vitality and the lean, aquiline face of an Italian aristocrat got her $4,500 for a single concert. For a comparatively small salary she stayed with Manhattan's Metropolitan Opera Company until...
...years what she affectionately called a "potato" grew in the neck of Mme Amelita Galli-Curci, forcing her to adjust her coloratura soprano to 50% less wind volume. Last week in Chicago, while the onetime prima donna trilled tones and scales to show the effects on her voice, surgeons working with a local anesthetic successfully cut away a 6½-oz. goitre...
Mary Moore was nervous but she clutched her chiffon handkerchief and met the test bravely. Her voice is small but it is smooth, appealing. Unlike many a coloratura she was faithful to pitch throughout the laciest passages, took her top notes truly. In appearance the Met's youngest singer is as Irish as her ancestors who, she says, "were kings and poets and all." Her father is an employe of Anaconda Van Service. An uncle, Joseph Eustace, who encouraged her from the start, works for the New York City Government...
...chested Styrian with a grand manner and a zooming voice. At that first Bayreuth Festival in 1876 one of the Rhine maidens was a pretty young Jewess named Lilli Lehmann. Wagner wanted to adopt her but her mother, who knew the master well, objected. Lehmann was a light coloratura then and no one, least of all Wagner, suspected that she was soon to cultivate dramatic rôles and sing Brünnhilde...