Word: coloraturas
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...usually on pitch, she sang an air from Mozart's Magic Flute. Sophisticated kids and mammas gave each other sidelong looks when Conductor Rudolph Ganz announced that Ellen Berg would next sing the Mad Scene from Lucia di Lammermoor. On that glassy surface, double-runners are not allowed. Coloratura Berg sailed out cleanly, figure-eighted through her trills, skidded a couple of times into her flute accompanist, ducked low to coast into her final note an octave below the conventional high E flat. Wisely, she made no attempt to act daft. Soprano Berg looked like championship material...
...There has been much musical exchange within the Axis. Titian-dyed, corseted Italian Coloratura Soprano Toti dal Monte (a onetime success in the U. S.) sang to great applause in Berlin. The Cologne Opera is touring The Netherlands, Belgium, Spain, Italy; the Frankfurt am Main Opera the Balkans. The Berlin State Opera will visit Milan and Rome this spring; the Rome Opera will visit Germany...
...trills, roulades, la-la-las and rarefied staccato eek-eeks of the coloratura are of ancient tradition. The most famed of all coloratura heroines, Lucia di Lammermoor (music also by Donizetti), goes mad, to the accompaniment of an implacable flute. That is typical. Most coloratura roles are in operas in which the heroine goes daft, is throttled, poisoned, knifed, or dies improbably of tuberculosis, along about 11 p.m. But in The Daughter of the Regiment, a coloratura has more chance for fun. The greatest singers of the last century-Jenny Lind, Adelina Patti, Marcella Sembrich, Luisa Tetrazzini-made the most...
...first time in 22 years, the Met revives The Daughter of the Regiment, whose bubbling tunes were written by Gaetano Donizetti a century ago. It revives it specifically as an ear-tickling, eye-tickling vehicle for Coloratura Pons, who is vocally and boxofficially about the best there...
Since her marriage to Kostelanetz, Pons has become the top attraction at summer concerts in U. S. parks and stadiums. The coloratura voice, which even musical dopes can tell is high-priced, accounts for part of her drawing power, but not all. Andre Kostelanetz is a competent stick-waver, and on records and the radio he plays, not symphonies and not jazz, but the kind of music plain people really like: his arrangements of "standard" pieces, Victor Herbert and such, beautifully done up in balanced brass, reed and string tones, as rich as a lobster Newburg well laced with sherry...