Word: colored
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Dates: during 1970-1979
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...vegetable oil factory. His house in Bosques de las Lomas, he boasts, would rival any in the world. The mansion has a chamber bedecked with the heads of animals Longoria acquired on his 20 African safaris, and a "pink room" that is dominated by a huge rug of that color given to him by Morocco's royal family. Unlike many of Mexico's new rich, Longoria makes generous donations to charity. He has built a church and an elementary school in his home town, and his wife Jeanette is a member of Mixteca de Cárdenas, an organization that helps...
...officials in both countries have a persuasive reason to fear that Sindona really was abducted. Their clue: a Polaroid color snapshot of a scraggy Sindona as an apparent captive. It was delivered to the Rome office of Sindona's lawyer, Rodolfo Guzzi, in a plain envelope postmarked Sept. 8, Brooklyn, N.Y. It shows Sindona, gaunt and pale, hair unwashed and jowls unshaved, seated on a plain wooden chair. A cardboard sign covering his chest carries an ominous message crudely printed by his purported kidnapers: IL GIUSTO PROCESSO LO FAREMO NOI (The fair trial will be conducted...
...scene in Act III, enough was enough. Hence the rightness of the subdued, wistfully melancholy fourth act, a sort of spacious postlude. This act is Desdemona's great moment. Soprano Gilda Cruz-Romo made the most of it, although in the earlier acts her singing had somewhat lacked color and shading. Poignant and dignified, she spun out the Willow Song and Desdemona's final prayer in long, crystalline legates...
...could do to keep from crying," he recalled later. "Even though I know that I can portray an 18th-century Frenchman if the role called for it, every time I go to an audition I feel they're looking at me only as a skin color." Hail feels that any actor should be allowed to audition for any role as long as he can make the characterization believable. "Besides," he says, "part of my and every other Afro-American's cultural experience is white, which makes me artistically capable of playing a white...
...take away from creative decision-making, and you can't force white directors to cast something color-blind.' --Linda Thurston '80. president of Black CAST