Search Details

Word: colorfully (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...exacting that artists have devoted a lifetime to mastering the technique. First, the brick wall had to be prepared with several coats of a special plaster made with slaked lime that had been aged for a year or so. Then the painter deftly laid on his water-base colors, which were sucked into the wall by capillary action. He had to work quickly, for the paint he added after the plaster had dried lay on the surface and could eventually flake off. But color applied while the plaster was damp stayed in it for centuries. As visitors to the Metropolitan...

Author: /time Magazine | Title: Art: FRESH FROM THE CLOISTER WALLS | 9/27/1968 | See Source »

...well off, judging from the nifty apartment they occupy. Still, Julia needs a job. She is turned away by America's only personnel director who is not desperate to hire Negroes. Fortunately, she finds a protector in cantankerous Dr. Chegley (Lloyd Nolan), who doesn't care what color she is as long as she knows her business. Some of Julia's problems are black, but her aspirations and life-style are white. That factor, despite NBC's laudable decision to bring Negroes more prominently into television, makes Julia hardly more than a small-screen Guess...

Author: /time Magazine | Title: Programs: The New Season | 9/27/1968 | See Source »

...resemble rows of icicles, gelid, brittle and pure. To bend them is to break them; to lend them warmth is to make them lose their integrity. Even Welles has been unable to fashion more than a laborious, misshapen exercise. The reasons are obvious. This is his first film in color-an inappropriate mode for a fiction written in etched, formal prose, devoid of the sensual palette. Secondly, because the movie was made for television, its time is arbitrarily restricted to an hour-too protracted for spare storytelling and too limited for character development. The most grievous flaw is the choice...

Author: /time Magazine | Title: Cinema: A Festival of Diamonds and Zircons | 9/27/1968 | See Source »

With his pouty lips, upswept pompadour and downswept jowls, he bore scant resemblance to the lissome heroine of NBC's comedy I Dream of Jeannie. Yet sure enough, there was George Wallace in living color at Jeannie's usual time, dispensing his own brand of sugar-sweet demagoguery in his first nationwide TV appeal. For all the contrast, the substitution of George for Jeannie was bizarrely apt. For like the star of the show-a genie-Wallace is a specter that both major parties would prefer to see back in the bottle...

Author: /time Magazine | Title: Third Parties: Out of the Bottle | 9/13/1968 | See Source »

...carry life jackets. But a lot of people do not bother with them. And why? Consider the answer of one power-boater on Oregon's Willamette River when a Coast Guard safety check found no life preservers aboard his cabin cruiser. "They don't match the color of my boat, that's all," said the owner...

Author: /time Magazine | Title: Recreation: The Instant Mariners | 9/6/1968 | See Source »

Previous | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | Next