Word: colorfully
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Dates: during 1960-1969
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...Messiah. Though cynics may snarl "But who may abide the day of His coming?" they will be a small, silent (or at least ignored) minority. As Christmas threatens from Tokyo to Toledo, Messiahs are busting out again all over the world. The work is being staged, illustrated with color slides, tinkled through by tiny orchestras, blasted over by huge ones, shouted by great singers and squeaked by small ones. In New York and San Francisco, people are paying to sight-read the choruses at "Messiah sing-ins," and at the White House, President Nixon heard a 30-minute sample...
...network shows are now broadcast in color...
...marketing, the key to growth is anticipating, even creating, demand for new products-and some of them surpass yesterday's wildest fantasies. Four-color, full-page advertisements for one such item have been appearing in Mademoiselle, Harper's Bazaar, Cosmopolitan and other publications. An unclothed, deadpan model looks out from under the slyly provocative headline: "Relax. And Enjoy the Revolution." The product is Cupid's Quiver, a $3.50 package of twelve sachets of liquid douche concentrate that is offered in two floral scents (orange blossom and jasmine), as well as two flavor scents (raspberry and champagne...
...bloodstream. In fact, many potentially harmful chemicals occur naturally in familiar foods. Spinach is rich in oxalic acid, which is the foundation for a common type of kidney stone. (Popeye in real life would have suffered endless agonies from passing stones.) Carotene, the pigment that puts the color in egg yolks, sweet potatoes, mangoes and carrots, is used by the body to make Vitamin A-but consumed in excess causes a kind of jaundice...
Dead Anyway. The movie is well served by the shimmering, bleached-out color photography of Conrad Hall. It Is obvious from the opening scenes, however, that this is most deeply Director Polonsky's picture. Author of the remarkable script for Body and Soul ("Everybody dies!"), Polonsky made his directorial debut with another John Garfield movie, Force of Evil, in 1948. An ode to gangsterism and individual morality, it passed almost unnoticed on initial release. As a lifelong proponent of the sort of radical politics frowned upon during the witch hunts of the 1940s, Polonsky did not long escape...