Word: colorfulness
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Dates: during 1930-1939
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...playmates, views of Claremont Parkway and Washington Avenue, and the scene that meets the suburban eye as frequently as any other-women pushing baby carriages. His figures were recognizable, except that, as in most child's drawings, the legs were frail and extended; but he used whatever colors fitted his general composition, getting red or green skies if they seemed right, and slapping on his color boldly without bothering with a preliminary sketch...
Director Monty Banks and a heterogeneous cast of minor actors have imparted energy, humor and color to a riotous flow of incident. We're Going to be Rich, however, is made really tops by the superb assurance-acquired before innumerable real audiences in London and provincial theatres-with which Miss Fields does her specialties. High point of the picture: the Fields rendering of a Boer folk song, Vat Jon Goed en Trek, Ferreira (Pack Up and Go, Ferreira), as a request number in a Johannesburg dive...
...only the few hundred dollars needed for materials. WPA will pay Edward Laning and his three assistants $23.86 a week. He will paint in oil on canvas. When the paintings are pasted up on the panels in about a year the Library will also repair the ceiling, the color of which ran when the roof leaked some 15 years...
Thirty-three years ago three young German painters living in Dresden kicked over academic traces and struck out for themselves. They shared studio, brushes, paint and their models. They exhibited their work, unsigned, together. They shared the subsequent outcry when the distorted figures and "unnatural" color of their painting shocked Germany. The boldest of them was irascible, 25-year-old Ernst Kirchner, who had been inspired by primitive art he had seen at the Dresden Ethnological Museum. Before the group broke up in 1913, its name, Die Brücke (The Bridge), had become famous, it had been joined...
...local color he discovered, Author Daniels finished his trip disturbed, thoughtful, none too optimistic. The Civil War caused suffering in the South, he admits, but its chief injury was that it gave southerners an excuse for doing nothing. Despite lynchings,* he believes that Negroes and whites have lived together in relative quiet, decency and peace, and that if the South is to rise, both races must rise together. He concludes that the tariff hurt the South more than Sherman ever did, that a northern economic occupation is now ending just as its military occupation once ended. From northerners, he asks...