Word: coloring
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Dates: during 1920-1929
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Training table represents a start in the athleticizing of the debaters. Uniforms more distinctive than Tuxedos should come next; perhaps the editors of the Lampoon would offer suggestions for delicate tones of color and graceful designs of robes. Scouts at other universities, larger and handsomer platforms, overemphasis, with squads of ambitious candidates going through their paces in every room in Sever, and English A sections changed to more debating practise: a gloomy outlook, but the unavoidable result unless the process thus initiated is checked. In the interests of already overworked sporting editors, the coaches should reconsider their decision, and call...
...Henry Osborne Taylor '78. The majority of them are by Shunsho and Hiroshige, the great print artists. Two of them, by Hiroshige, are especially worthy of note. They are long and thin, well adapted to the scenes they portray. The green and purple shading is some of the finest color works to be found in the Museum...
...Hair", the offering which opened yesterday at the Metropolitan, had as its first shot a color photo of Clara Bow feeding fish to a tired pelican. The point wasn't wholly clear to us at the moment, but just a little more of Clara Bow made the allegory oh, so clear. Elinor Glyn wrote it, Clara Bow acts in it, and there you are. Bubbles McCoy (and you can go ahead and guess who in Hollywood would play a part with a name like that) has an opportunity to do plenty of the familiar pouting, and the unintimate undressing that...
...slightly but uncontrollably native in the latter half. Which brings us to a point we have been trying to reach for some time--to wit: the locale is the indefinite tropics and there are many sinister references to "what this country will do to a decent woman." The local color includes a good deal of rain, one Chinese boy inserted presumably for comic interest, and many dark squat bottles lying around in handy places...
...people who came to church that afternoon was Haldane MacFall, then a London art critic, now the author of a biography of Artist Aubrey Beardsley. His book says little about Beardsley's family, his schooldays, his friends. It conveys scarcely any of the color of the period, already so remote and glittering, in which Beardsley drew his astonishing pictures for The Yellow Book. Only between the somewhat heavy lines of Author MacFall's writing can be discovered the eccentric tragedy of Beardsley's last year of life, when, while he was doing his best drawings...