Word: coloring
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Dates: during 1940-1949
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Leafing through its 124 expensive pages, readers might well feel that Curtis had labored to bring forth (at 50? a copy) a monthly Technicolor mouse. There were tricky layouts, eye-filling maps and charts, 33 editorial pages in color...
...Jones (Emperor Jones, Green Pastures), whose sets and costumes are often things of splendor. They tremendously enhance the movement as well as the looks of the play-the wedding and burial scenes, the exotic dances, a captivating Imperial March. The best of Composer Scott's incidental music has color also, and one or two of the little songs he has written for Mary Martin have a reedy charm. Actress Martin, straying far from the My Heart Belongs to Daddy sort of singing that made her famous, is attractive and scrupulously unself-indulgent in a role that leaves her, like...
...colonel who descends on a small city in Georgia and, before he has finished, practically turns the place upside down. The picture depends mostly upon the colonel's warlike antics and vocabulary, and upon some mild byplay involving William Eythe and Joan Bennett as newspaper reporters. The local color possibilities were enormous, but the producer and director of this picture evidently didn't think them worth the trouble. Most of the characters talk and act like damyankees; the scenery is strictly studio-lot Georgian; there are apparently not more than a couple of bottles of Coca-Cola...
...clearly-and colorfully-the most notable television demonstration of the year. In CBS's Manhattan studio, Dr. Peter C. Goldmark, 39-year-old, Hungarian-born inventor of color television, unveiled equipment developed since V-J day. For an hour, an ingenious new receiving set was tuned in on a filmed fashion show and football game, a Disney color short. The broadcast was over ultra-high frequency, radar wave lengths. The reception, as vivid as a Van Gogh painting, made black-&-white television look antiquated. Boasted CBS: "the insurmountable obstacles" have been hurdled; in a year, if the demand...
...remained, far more than they, a constant adherent of Cubistic methods until his death in 1927. Cold and monotonous at first glance, Gris' ascetically detached still-lifes reveal, upon longer acquaintance, an almost architectural formal structure, an ingenious flattening and simplification of natural forms, and a sure if quiet color sense...