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...light (like from a window) behind you. That will only darken your face. When your interviewer is talking, it's fine to look at his image on the screen, but when you answer, look at the camera. That's how to make "eye contact." Avoid wearing patterns and the color white, since we notice white spots on a screen first - you want your interviewer drawn to your teeth and eyes, not to your shirt. And don't forget that what's behind you is visible too. "It's best to put away the Mad Men bar," says McGowan...

Author: /time Magazine | Title: How Skype Is Changing the Job Interview | 10/20/2009 | See Source »

...close to the camera: the first three buttons of your shirt should be visible, or else you risk looking like a floating head, counsels Priscilla Shanks, a coach for broadcast journalists and public speakers. Most important, do a dry run with a friend to check your color, sound and facial expressions - neutral often comes off as glum onscreen. (See pictures of vintage computers...

Author: /time Magazine | Title: How Skype Is Changing the Job Interview | 10/20/2009 | See Source »

...Kandinsky, with his first wife Anja, decamped to Munich to become an artist and art teacher. His early paintings were folkloric, storybook scenes of an imaginary medieval Russia rendered like mosaics in bright lozenges of color. It wasn't until the summer of 1908, when he discovered the little town of Murnau in the Bavarian Alps, that he began to uncouple his pictures from any sources in the visible world. In Blue Mountain, which he began the following winter, he assigned the mountain an unearthly shade of indigo and turned the flanking trees into almost free-floating pools of pigment...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

...that time, O'Keeffe had reintroduced color into her work. Her typical canvases were eruptions of soft form, like the cresting fiddleheads of mauve, orange and green in Series I, No. 4, from 1918. But she also worked in a taut, sharp-edged register that produced work like Red & Orange Streak, from the following year. Nothing about a picture like that suggests it's the work of a woman, but from early on, critics treated her paintings as bulletins from the Eternal Feminine. In her plump bulbs of color and shadowy openings they found the swells and inlets...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

...online media” and “responds directly to the needs of college women.” We’d argue that a lot of Her Campus’ content is neither particularly revolutionary nor universally insightful. (The daily poll today was, “What color nail polish are you wearing right...

Author: By Michelle L. Quach | Title: "Her Campus" Wants You! | 10/19/2009 | See Source »

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