Word: coloring
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What's more surprising, finding a classically trained composer at M.I.T.'s Media Lab or discovering that his research there has produced a Fisher-Price toy? Either way, it is hard to question the pedigree of Symphony Painter, a new kind of electronic music software designed for the Color Pixter electronic sketchpad. The brainchild of M.I.T. professor Tod Machover, Symphony Painter ($20; fisher-price.com Color Pixter sold separately) combines visual arts and music: you draw a picture and then press the triangular play button to hear a musical interpretation of your artwork. Experienced musicians might predict some outcomes: lines curving...
COLUMNIST JOE KLEIN'S "THE BENETTON-AD PRESIDENCY" discussed the diversity of President Bush's choices for Cabinet posts [Dec. 27--Jan. 3]. But diversity is not merely a difference of color or ethnicity but also a divergence of perspective, opinion and experience. If the President is really interested in diversity, he will do well to name a Cabinet that sees things differently, challenges convention and perhaps even dares to disagree, instead of simply achieving a comfort level that feels good. That's true diversity...
...above the northern wilds of the Democratic Republic of Congo when he saw a dark shape racing between two patches of tropical forest. "It was huge," says Pontier, a missionary pilot. "It was black. The skin was kind of bouncing up and down on it." From its bulk and color, Pontier thought it was a buffalo until he circled down for another look. "I saw it again just before it went into the forest," he says. "It was an ape--and a big one." Not buffalo size...
...Burns' two-part PBS documentary Unforgivable Blackness: The Rise and Fall of Jack Johnson (debuts Jan. 17; check local listings) rediscovers the story of an athlete who not only broke the color line but insisted, to white and black critics, that his color was irrelevant. The title of Blackness--the companion to last year's book of the same name by Geoffrey C. Ward--is no throwaway. Towering and obsidian-dark, Johnson was the kind of black man, critic Stanley Crouch says in the documentary, who makes whites "think they're in the presence of something aboriginal...
...COLOR-BLIND CASTING...