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Word: colorings (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...century French impressionists was well under way, the paintings in the Niarchos show will include no less than four each by Cézanne, Gauguin and Degas, six Rouaults, nine Renoirs, seven Van Goghs, plus outstanding works by Matisse, Picasso, Toulouse-Lautrec, Goya, Delacroix, Corot and El Greco (see color pages). The show represents the utmost in mid-20th century moneyed taste...

Author: /time Magazine | Title: Art: THE GOLDEN FLEECE | 11/4/1957 | See Source »

Five years ago Huang began teaching a distinguished pupil, Mme. Chiang Kaishek. For her, Huang prescribed the classical program, began with trees, then rocks. After two years she had mastered the basic strokes and was ready for color, now specializes in painting bamboo and pines. "She has made great progress." beams Huang. "Her strokes are very forceful, even stronger than...

Author: /time Magazine | Title: Art: Chinese Mist in Yosemite | 11/4/1957 | See Source »

...annual siren sales song to the U.S. public. Out came a whole fleet of new cars in a blizzard of announcements promising "jet intakes," "bubble windshields," "flight-pitch transmissions," "Marauder engines"-even an ICBM look. There were downswept snouts, upswept fins and outswept taillights ; all were ablaze with dazzling colors and gleaming chrome brighter than any Christmas tree. Sighed a Detroit secretary, rapturously examining a trailerload of new 1958s; "Chrome is my favorite color...

Author: /time Magazine | Title: AUTOS: The Cellini of Chrome | 11/4/1957 | See Source »

Concurrently, Jane Stouffer, daughter of Professor Samuel Stouffer, has her first exhibition in this country after having shown last year in Florence. Her casein paintings and color woodcuts of Venetian, Florentine and other motifs make their debut in high company at the Gropper, exhibiting considerable control and a highly personal use of the media...

Author: By Paul W. Schwartz, | Title: Quartet | 10/30/1957 | See Source »

Miss Stouffer's forte lies in color especially, which she handles in a varied yet subtle and consistent manner. Her brisk, incisive drawing seems equally personal, although there are instances in which the idiom becomes conventionalized, overwhelming rather than serving the fundamental idea. In any event, her paintings and woodcuts are all fresh, lyric and full of spirit...

Author: By Paul W. Schwartz, | Title: Quartet | 10/30/1957 | See Source »

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